Eventually, all rappers manage to put out the same garbage over and over; that's when the fans abandon you, and you end up like Ja Rule, Canibus, et. al. I used to think that the ICP were fucking imbeciles, but how wrong I was. They managed to get rich and stay successful not out of actual talent (which never works,…

It's nice to see they're doubling down on the Valentine's Day/New Year's Eve formula.

It's nice to see they're doubling down on the Valentine's Day/New Year's Eve formula.

In the end, results matter, I think. Bill Murray has put out a lot of good movies, and even a couple of bona fide classics. Acting unprofessional and burning bridges, however, when you're producing a show that America at large doesn't care about and then never shutting up about it is the height of hubris.

In the end, results matter, I think. Bill Murray has put out a lot of good movies, and even a couple of bona fide classics. Acting unprofessional and burning bridges, however, when you're producing a show that America at large doesn't care about and then never shutting up about it is the height of hubris.

So, the gist of your statement is that Community, at its heart, was a tool that allowed it's watchers to identify themselves as "Smart People With Taste", and therefore pass judgement on what is considered legitimate comedy.

So, the gist of your statement is that Community, at its heart, was a tool that allowed it's watchers to identify themselves as "Smart People With Taste", and therefore pass judgement on what is considered legitimate comedy.

@avclub-72912d49856e99d39ac2e6eb11e88444:disqus
1. Shrug
2. Long and hard hours. And they don't have that many hours left, compared to us.
3. Putting up with and molifying the talent as well as the bosses is one of the signs of a successful producer. It's why Whedon has done a couple of moderately popular television…

@avclub-72912d49856e99d39ac2e6eb11e88444:disqus
1. Shrug
2. Long and hard hours. And they don't have that many hours left, compared to us.
3. Putting up with and molifying the talent as well as the bosses is one of the signs of a successful producer. It's why Whedon has done a couple of moderately popular television…

He should be a better man; in fact, he should be a man, not some whiny bitch. If he considers himself an artist, and is serious about being an artist, he should do what artists do when faced with adversity: channel it into art, rather than ranting uncontrollably about how he was fucked over. That he has failed to do…

He should be a better man; in fact, he should be a man, not some whiny bitch. If he considers himself an artist, and is serious about being an artist, he should do what artists do when faced with adversity: channel it into art, rather than ranting uncontrollably about how he was fucked over. That he has failed to do…

You're probably, what? Sixteen, seventeen years old? Both Cleese and Stewart are septuagenarians; Cleese was born during the Neville Chamberlain government, for Christ's sake. You make the move to Hollywood with all that entails to work twelve, often fourteen-hour days for a show that's A) run by an admitted asshole…

You're probably, what? Sixteen, seventeen years old? Both Cleese and Stewart are septuagenarians; Cleese was born during the Neville Chamberlain government, for Christ's sake. You make the move to Hollywood with all that entails to work twelve, often fourteen-hour days for a show that's A) run by an admitted asshole…

One question with a five-hundred-word answer that he drops at the slightest prompting.

One question with a five-hundred-word answer that he drops at the slightest prompting.

I think Patrick Stewart and John Cleese both live in Old Blighty. Why
move to the states to show up for a show that's circling the drain?
Neither of them are spring chickens, either; sitcom duty is hard work.

I think Patrick Stewart and John Cleese both live in Old Blighty. Why
move to the states to show up for a show that's circling the drain?
Neither of them are spring chickens, either; sitcom duty is hard work.

Long live the new vomit.

Long live the new vomit.

Tell-all books are a magnificent way to burn bridges and destroy future relationships, both in the creative and business side of things.