Then they should include a reverse POV shot where someone looks up and sees a drone; that'd about clear it up.

I was actually just going to post how stunningly amazing it is that a book review would mention King's use of fifth business without mentioning the actual book, Fifth Business. Almost as if the reviewer was unaware of its very existence.

Eli's "Well, that's just poor leadership," was great too. That whole conversation was dry comedy gold.

Yeah, that immediately made me wonder if this reviewer actually knows thing one about Adams. Come Pick Me Up is on Heartbreaker, fer crissakes.

I saw Pulp Fiction at a packed screening opening night.
My memories of the unsuspecting audience riding that wave - the Gimp's appearance, the adrenaline shot, "I'm going to go medieval on your ass," "It's the one that says bad motherfucker on it" etc. etc. etc. - are as vivid as the movie itself. I can't think of too…

He also dies rather prematurely in Alien: Resurrection.

I dunno how deep the research went here but the plot isn't a secret.

This the "Game of Thrones" rule (more from the books than the TV show): If you don't 100% see someone die, don't assume they're dead.*

Actually, I don't think is at all clear but to blow everyone's mind (if this is your thing) the observatory is about 50 feet away from the Baltimore psychiatric hospital. That building is the observatory's administrative building. (They use CGI to remove the telescope domes and add a rear wing…http://www.theddo.ca/Hist…

I thought I posted this before but whatever. To sum up:

Wilco did the same with Being There, and fought the record company to make it a double album. I have no problem with it since it is the best you can do in this era to reproduce the feeling of an album/tape having two sides.

Of all the great and funny and horrific things that were in the short run of Twin Peaks, I think the end of this episode is among the most brutal and amazing. There was no Internet worth speaking off those days but there was plenty of "water cooler" talk about who the killer was and Lynch and co. kept throwing out red…

Perhaps I'm giving Walt too much credit but I thought what Elliot and Gretchen said last was most relevant: That the Walter White they knew was gone. (Kind of like Annakin Skywalker,who turned out to still have some good in him, see?)

It's smart, except for the whole "he's not really arrested" thing and the "doesn't have a lawyer thing." It all goes to udea of Hank being pretty outside the box on this thing and maybe it's the only choice he has but now Gomie is in on it too and they are playing VERY fast and loose with the law, it seems to me.…

*meekly raises hand*

Also, one knock that tends to be against Superman Returns is that it cost $270 million. But that's actually bullshit because it counts the years of false starts and development including the hated JJ Abrams script, the Kevin Smith script that brought on Tim Burton before he trashed it and looked at Nic Cage and then…

I never had a problem with the "Deadbeat dad" thing in Returns or the fact he doesn't punch anyone through a building. I didn't buy Bosworth as Lois Lane and agree that Luthor's scheme is kind of lame

Mentioning Homicide was interesting because, as mentioned, it treated death seriously, as opposed to the lesser-but-much-loved Law & Order.

You didn't know the song at the end? It was "Vide Cor Meum" written by Hans Zimmer for Hannibal (ie the Ridley Scott movie). It's an aria being sung at an outdoor performance in Italy, before he kills the detective there.

Your inclusion of Goldmember has negated the rest of your list. sorry.