Truly the most pointless and baffling of all company-wide crossovers.

Jon Hamm might not be the best example. He could have probably gotten that job without his celebrity.

Your loss. Hybrid Theory is a pretty solid album. Much like Marilyn Manson, the hate for the artists eclipses the quality of their music. See also: Lana Del Rey.

Iggy only wrote the lyrics; David Bowie wrote the melody (on a ukelele, if you can believe it) and a session drummer named Hunt Sales ripped off several Motown songs for the drum beat.

Jesus Christ, that was Meryl Streep!? Is there anything that woman can't do?

Or any disco club.

Pssh. Everyone knows Waterloo was the best Eurovision song.

I'm not going to go through all 5 pages of comments, but Just As I Am by Bill Withers ("Harlem", "Ain't No Sunshine") better be somewhere in here.

Community will be the next Friends. Your love shall transform, ever so slowly, into the blackest hate, while my cheerful detachment and dismissal of this show will give way to a nostalgic appreciation for the first two seasons, which I never even watched.

Rushmore is the only one of his movies I can happily rewatch. I used to like Royal Tanenbaums but on rewatch it suffers every time its focus leaves Royal.

They're both great.

The Showbox is a shit venue anyway. This is probably for the best. That is depressing to hear though.

That's only been true since the grunge boom of the early-90s. Positivism in music has a long, LONG history. Shit, just look at disco and (most of) vocal jazz.

I love that he's playing at Neumo's, which is basically half a step up from being a dive bar. I might actually go to that one.

I somehow doubt they've planned that far ahead.

"If you come from a public school background, you grow up with the association of pain and off-beat-type approaches to sex."
Ah, England.

We hate the young.

Guarana?

Batgirl: Year One did a decent job by playing him as creepy as possible and having him partner up with Killer Moth. You could give that a shot.

Parachutes also gets points for not abusing string sections like their later albums did. It doesn't even much piano on it, which proves how much "Clocks" and "The Scientist" locked down their sound later on.