Uh, I hate to ruin everyone's day but this version *was* already released, as "Psycho Killer (Acoustic)" on the 2006 remaster reissue.

Jessie Ware's album is heat.  It's equal parts UK House, Lover's Rock, and US R&B.  Sort of a combo of Sade and Lisa Stansfield.  "Wildest Moment" has big drums and the album cruises without getting into too many diva moments.  Lots of promise.  The problem for her Adele could push votes away from her as just another…

Jessie Ware's album is heat.  It's equal parts UK House, Lover's Rock, and US R&B.  Sort of a combo of Sade and Lisa Stansfield.  "Wildest Moment" has big drums and the album cruises without getting into too many diva moments.  Lots of promise.  The problem for her Adele could push votes away from her as just another…

One of my favorite tracks like this was off of the Lo Fibre Compilation, after Justin Broadrick killed his label of the same name and decided to release all the tracks he had backed up.  One was "Hollow" by Line which was a female vocalist (Catherine Wallace, who AFAIK didn't record a single other song) teamed up with…

One of my favorite tracks like this was off of the Lo Fibre Compilation, after Justin Broadrick killed his label of the same name and decided to release all the tracks he had backed up.  One was "Hollow" by Line which was a female vocalist (Catherine Wallace, who AFAIK didn't record a single other song) teamed up with…

This episode became the basis of one of the greatest Venetian Snares spaz raveup songs of all time:  
http://www.youtube.com/watc…

This episode became the basis of one of the greatest Venetian Snares spaz raveup songs of all time:  
http://www.youtube.com/watc…

No.  Just-

Oh, and did no one else think Van Alden's line was a
Bartleby, the Scrivener reference?

It's interesting to follow the reviews of Boardwalk versus those for The Walking Dead and how it seems the HBO pedigree still seems to have a lot of value. Both shows, and especially in seen in this episode, are flawed with easy, uneven characterization. But where the TV Club reviews of The Walking Dead really…

Someone should've gone all Armin Mueller-Stahl on him and yelled "Fresh hat!  Fresh hat!"

But why get a subset of potential shares when you can just use Google Reader and share anything on the internet?  And when they hook that up to The Plus then it's a wrap.

I'd also add Loop.  Robert Hampson is one of those artists who over his career switches genres, titles and aliases with a core of fans who follow him around (I'd put Justin Broadrick and Mick Harris in the same group).  But Loop, with its insane space-gaze insanity should have been shouldering against the J&MC with a…

The Duke Spirit.  Came out in the mid-00's garage scene and had a nice combination of rock, UK folk sensibility and a killer live show.  But maybe that was the problem:  they always seemed to be sort-of-like-every-other band from then (even though I would argue otherwise).  And they always seemed to have a certain…

"telekinetic"?  I do not think that word means what he thinks it means (unless Gosling has some somnambulist-thing going on).

Snyder's rationale reads like any other compartmentalizations.  Given enough time, someone can justify anything and then will go about with the emotional confidence of an asshat.  He might as well say he's born again and thus wash off any culpability in his actions by saying he has been made incapable of wickedness. …

A great movie… until they get into the pub and the plot realizes it has 15 minutes to resolve itself.  The inventiveness and insight of the first 80% of the film is undermined by basically condensing a modern slasher flick (1. Characters yell at each other 2. A fight happens where some of them die 3. repeat) into…