avclub-4ad979699e0026817f27d746638fd74d--disqus
Fred W. Hill
avclub-4ad979699e0026817f27d746638fd74d--disqus

I do believe Hazel & Foxglove are lesbians and they are both shown to be still alive and still lesbians when we last see them after Morpheus himself has died. 

I do believe Hazel & Foxglove are lesbians and they are both shown to be still alive and still lesbians when we last see them after Morpheus himself has died. 

Not quite like Lucifer pulled the pin out of a grenade and threw it at Morpheus while yelling, "catch," but whimsically devious all the same.  Just knowing Morpheus' basic traits, Lucifer knew giving him the key would at least cause him some consternation and perhaps some genuine grief.  Lucifer appeared genuinely

Not quite like Lucifer pulled the pin out of a grenade and threw it at Morpheus while yelling, "catch," but whimsically devious all the same.  Just knowing Morpheus' basic traits, Lucifer knew giving him the key would at least cause him some consternation and perhaps some genuine grief.  Lucifer appeared genuinely

I don't recall reading that particular Silver Surfer story but that was the sort of thing I'd gotten tired of by the time I was in my mid-20s.  Gaiman's twist on expectations struck me as brilliant and I loved that he took these sort of twisted turns that made perfect sense in terms of the characters involved but were

I don't recall reading that particular Silver Surfer story but that was the sort of thing I'd gotten tired of by the time I was in my mid-20s.  Gaiman's twist on expectations struck me as brilliant and I loved that he took these sort of twisted turns that made perfect sense in terms of the characters involved but were

Fantastic Four #51, the classic 1966 "This Man, This Monster" story (which immediately follows the Galactus Trilogy, perhaps Lee & Kirby's most famous collaboration) opens by focusing on Ben Grimm's depression over his transformation into the Thing, brought into greater focus for him when he erroneously perceives that

Fantastic Four #51, the classic 1966 "This Man, This Monster" story (which immediately follows the Galactus Trilogy, perhaps Lee & Kirby's most famous collaboration) opens by focusing on Ben Grimm's depression over his transformation into the Thing, brought into greater focus for him when he erroneously perceives that

In his Defenders stories of the mid-70s, Steve Gerber infamously included scenes in which an elf randomly murdered people — and none of it had anything to do with the main story.  Just random elf nastiness!

In his Defenders stories of the mid-70s, Steve Gerber infamously included scenes in which an elf randomly murdered people — and none of it had anything to do with the main story.  Just random elf nastiness!

After being a Marvel junkie from about 1970 to 1985 and just getting my toes wet in the DC universe, particularly Moore's Swamp Thing, I'd mostly quit collecting comics when I came across this collection in a Barnes & Noble.  Maybe it was the "Dream of a 1,000 Cats" story that compelled me to purchase it, but I was

After being a Marvel junkie from about 1970 to 1985 and just getting my toes wet in the DC universe, particularly Moore's Swamp Thing, I'd mostly quit collecting comics when I came across this collection in a Barnes & Noble.  Maybe it was the "Dream of a 1,000 Cats" story that compelled me to purchase it, but I was