The tears flow freely in Vegas - understandably, due to all of the, you know, eliminations. It's a pretty intensive schedule for these kids, so the pressure is on and sometimes the feedback from the judges, even the positive, is overwhelming.

They have done the group choreography for atl least the last two seasons… not sure about seasons 1 & 2.

Agreed, kerouac9 - she and the lovely Ms. Deeley (along with the amazing dancers, of course) are part of the winning formula.

I agree that it seemed pretty unfair… and her demo of Sonya's dance (with Brandon?) was SO SO much better than when she did it for all of the judges.

Deadfall has one of the most outrageous, over-the-top Cage performances ever. The movie itself is pretty terrible, but Cage is pure gold.

Fuck the fuck yeah, ZMF - nice product line.

Oh - and Caitlin from Memphis was SMOKIN' hot - both as a dancer and an extremely attractive young lady. Grrrrowwl… I hope we see alot more of her. From the clip we got to see, it looks like her sister is no slouch, either.

Tyce was kind of a drag
but Lil' C always gives constructive criticism. Gotta admit that I'm looking forward to Adam Shankman and Mia Michaels tonight.

I admit that, having seen it in the theater, I wasn't prepared for the addition of the brown frown on the DVD. That thing left a smear. Puppets or not, I almost gagged through my laughter.

What up. G-Fresh?

He used to be legit. He was too legit. He was too legit to quit. but now he's not legit. He's unlegit. And for that reason, he must quit.

Satan is good, Satan is our pal.

@Riff: Clearly it wasn't a "prison rules" fight, or else… you know…

She already has "dead eyes," but Prison WIne knows when they're playing possum.

I could take or leave T3 - it definately had its moments, but also some serious missteps (Nich Stahl? - really?) If it's "thouroughly" anything, it's thourough in it adequateness.

Agreed! It played on several levels of homor, which I liked. Camp, satire, a little blue - all effective.

It's here and it's here to staaaaaay!

I met Fiorentino when she sat down next to me on a train from Connecticut to New York - she was charming and engaging. That being said, I'd have to go with Tatou.

Real Mature, Victor.

Bernstein did some classic comedy scores, too - Animal House, Trading Places, Stripes, Airplane, Three Amigos… and underrated classics such as An American Werewolf in London, The Grifters, and of course the infamous National Geographic Explorer theme. That being said, Yes - Herrmann is a genius.