Even so, I was shocked not to see "C+" next to the title.

I agree. Why do editors let authors get away with using second
person? It's usually just a distracting gimmick. It got so bad in one
Stross novel I tried to read, I had to stop—and I almost never do that.
The only instance in which I thought second person worked was "Bright
Lights, Big City."

That didn't really work out so well for No Ordinary Family.

Is the CW anyone else's current favorite broadcast network? (Yes, I'm serious.) I find almost all of the scripted shows the network is currently running—or just finished (R.I.P. Nikita)—at least watchable and, in several cases, quite good, as they showcase more creativity and risk than a lot of the stuff on the bigger…

He's fixing my toilet.

That about sums up his time on SNL. His Twitter joke was better than anything he did on the show.

The showrunners of the American version must not have done a good job putting that plotline to good use, because it's almost perfectly executed in the original.

I watched the first season of the original Danish/Swedish show but haven't watched any of this. For those who have seen both, how closely does the first season adhere to the original? And does it appear that the second season of this version will be going its own way or sticking closely to its predecessor?

It would have been nice to see him join the other members of the Joss Whedon Repertory Company in "Much Ado About Nothing."

That role, even though it sadly wasn't seen by many (Dollhouse's ratings were abysmal), was what proved that he had serious range.

"Tucker and Dale vs. Evil" is easily the best horror comedy of the last several years. On the film's commentary track, the director gives Tudyk credit for improvising the pour-beer-on-his-wounds-to-heal-them move, which is the best running gag in the film. I read recently that they're planning a sequel, and if it gets…

Horrible Bosses 2: Bossypants

It's pronounced "hai."

I liked the original. Too bad about this one.

I miss Reaper.

I like the editor's note about his Peking Circus comment. "We promise he didn't just say something racist!"

One glaring oversight — the 1997 black-and-white neo-noir "Running Time," starring Bruce Campbell. Not only does it take place in real time, but it was also shot to look like it was filmed in one continuous take.

This show definitely featured the least effective perimeters of all time.

He was star of two noirs: "Quicksand" and "Drive a Crooked Road." Both are definitely worth watching.

WAKE UP, SHEEPLE!