For every Cause and Effect there's a Genesis. For every Frame of Mind there's a Threshold. And, of course, he got a "created by" credit for Enterprise, which can't be good for the ol' resume.

The only Trek novel I can remember reading was some kids' one about Worf in Starfleet Academy. The only other thing I remember about it is how terrible it was, even at the time. Never again.

Well, the whole point of a warp core is to do freaky magic to spacetime. I'm surprised it doesn't do something like this to everyone when they go up.

So as not to be confused with alleged T-shirt designer Shemale (shih-MALL-e).

And snarkify by at least 50%.

At least the Jem-Hadar business had them crashing directly into the warp core, then having a piece of same tear off most of the engine nacelle. That makes a lot more sense than the fender-bender in C&E.

Plot hole aside, the All Good Things hook blew my mind out the back of my head when I was 10. I still haven't seen anything on TV that had the same "whoa".

When on Risa, do as the omnisexuals do. But yeah, I did get that idea.

His guise so successful that Paris' own father was unable to tell the difference…

Yeah, The Outcast probably catches more flak because we know of all the other punches that got pulled. A writer quit over his AIDS episode getting axed around S1, IIRC.

Enterprise: Unsafe At Any Speed
May explode in even the mildest side collision.

You'll have yourself a good time in a couple weeks if you like Time's Arrow.

Cost of Living is a perfect storm of WTF and ewwwwwwwwwwwwwwwww

I really hate whenever they make Worf the voice of retrograde blah blah blah. They dumped that shit pronto when he got on DS9 (except for one regrettable lapse) and he improved immensely as a character.

Truly it is an episode that does not fuck around. You must pay attention or be lost, although if you do pay attention it's not that hard to get. Right in the sweet spot between obscurity & accessibility.

Another day at the Starfleet office.

Both that super-clarity and the lo-fi approach get me to about the same place emotionally. It's that sense of immersion, where one way or another you're in the room with the musician. For older recordings like Robert Johnson, it takes you to where he was. You can feel the heat of the room, you can sense the…

I can't think of anything to add to your post, Miller. Pretty much my thoughts exactly.

LOUD NOISES!

They call it long pig. Never much cared for it.