Last year was the first time that I finally tried out some DC titles, and right now I'm reading and enjoying Midnighter, Grayson and Prez, so… yeah…

That's such an apt description of the Buffy comic.

I've seen The Lair of the White Worm as a teenager. I remember enjoying that one. That's all.

I'm guessing he edited out the five minutes of lazy wake-up masturbation before he made his breakfast.

That was neither funny nor informative enough to earn my recommendation.

I don't want either thing to happen. I love that series so much, and the artwork is so fantastic. But there's probably an artist out there who could make a job that I love just as much.

I guess I will at least watch the meth episode.

They promised new issues this summer. I'm not holding my breath, because that's still months away and no one cold their breath that long.

Yeah, Screenplay is sometimes the most exciting category because it's usually the only place where the most interesting stuff gets nominated.

I still remember my excitement last year, when Whiplash was for three for three. Then it lost screenplay to Imitation Game and all my hopes were crushed. And when Boyhood lost screenplay to Birdman, I knew it was over for that one as well.

But you can't have it both ways. If Sinjun sees the romance through modern eyes, he also has to see the family stuff the same way.

Let's be generous, make it three! You only live once after all.

I hope your grandma also cheered and hollered over the end scene.

I wonder who he will sit with at the Oscars, the Revenant-crew or the Brooklyn-crew. Same goes for Tom Hardy.

Thanks. I'm proud to call myself a feminist. It says so in my Twitter bio, so it must be true.

I don't even wanna predict anything this year. The producers say Big Short, the directors, Globes and BAFTA say Revenant, the actors went for Spotlight. I can't remember a recent race that was so undecided and right now, I feel like anything could happen, to the point where only a Martian-win would surprise me.

Glad you enjoyed our latest installment of "Two men discuss what women need".

It's Domnhall Gleeson. He can't help being appealing. And he had to be. What's the point if going back to Brooklyn wasn't a difficult decision?

Prepare to be disappointed.

Exactly. It's also why I loved last year's Whiplash so much, because both are small, personal stories and not the usual epics or message movies.