avclub-41e23e24ee2670c4128cd7e5e5ee42ab--disqus
Wad VanDerTurf
avclub-41e23e24ee2670c4128cd7e5e5ee42ab--disqus

Anything goes at bathtime!

Soon the Super Karate Monkey Death Car will park in my space.

Universe, you've done it again!

Maybe they should have devoted the entire episode to Jimmy tracking down Marco. Would that have been better?

Chuck isn't interested in doing good. He's interested in maintaining his superiority over Jimmy. He's insecure, he's petty and spiteful and has an enormous ego, and he's disloyal and treacherous toward family, which is a circle of hell much deeper than "slick showman."

It wasn't subtle but it still felt like something Hamlin would want to say to Jimmy in that moment. It's not for the audience's benefit; it's for the character's.

Nah, fuck that, Chuck is spiteful, egotistical, dishonest, conniving, and cowardly… and I could even forgive most of those things if he wasn't also treacherous.

More than a few times in college I skipped my 1 PM class to watch Kids in the Hall reruns.

As long as we're talking Trent Reznor, is "Into the Void" Saul Goodman's theme song, or what? "Try to save myself, but myself keeps slipping away…"

Did anyone else sing over those commercials? "To everything, turn, turn, turn…"

Yeah, the big event of the season from a plot and character standpoint was Chuck revealing to Jimmy how he really feels about him. The finale just showed the fallout from that.

Friggin' Todd.

Berenyi’s scathing “Ladykillers” and Anderson’s earworm “Single Girl” were the biggest hits of Lush’s career

The fact that you've continued to hammer on catchphrases, buzzwords, and ideology suggests to me that you haven't considered the real-world implications of this law, and so we are never going to agree or even get anywhere, really.

The primary difference between your argument and mine is that yours is based in an ideology, while mine is based in the reality of what will happen. I don't really care whether you personally feel that you are or are not selfish, greedy, homophobic, or bigoted, so much that you are supporting a policy which in both

You're arguing that Mad Men isn't crafted to be full of symbolism?

I don't think it's supposed to be specific. I think it's just a call to Don's pattern of a particular kind of brunette.

Apparently Jovan Musk wasn't released until 1972. I'm going with Hai Karate.

You didn't catch the break in her expression, a second or two after he finished with the "funny and fearless" line?

Well, I wouldn't do it to his face.