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swans183
avclub-3bcba50da74698c392aead9ae9833c55--disqus

It seems a matter of simple division why this season has struggled to create characters as interesting as those in season 1; season 1 had 8 episodes to really develop two characters, while season 2 has an even more convoluted plot, and the same amount of time to develop 4 characters. With math like that it's no wonder

I almost choked laughing when Charlie became so drunk he needed subtitles in the premiere. I wasn't eating anything, I just choked on pure laughter

Definitely the most influential on my personal development was Better Call Saul. I have long been considering becoming a lawyer, but shied away from it because I erroneously thought it was just about enforcing rules, which I don't like. Saul's earnestness in his efforts to help people helped me realize, though, that

There's an interesting diegetic reason the sorceresses look like goddesses, one that ties into the novels: they use magic to make themselves look that way. I'm not sure if they do it to themselves on purpose, or if using magic makes them that way, but it's not just the developers feeling randy.

See, I was under the impression that Danny didn't know about it, and that Eric O'Bannon was just being an asshole. Maybe I'm wrong, but there's nothing that I can remember directly implicating that Danny gave O'Bannon the go-ahead.

My favorite line was "I'm man poison!" Also, I love "do you want to go… outside with me?" XD

I hadn't heard that quote from Job before; It was absolutely beautiful, and masterfully acted by Justin Theroux. This episode was a masterpiece that gave me new insight into human nature, and I can't praise it highly enough.

I saw the title as an allegory for things in the external world that provoke us or make us angry which have control over us. It would explain why Kevin was so confounded by the bagel machine, and why Meg got so upset with the tree-cutting initiation.

Those scenes at Lester's insurance business sure reminded me of No Country for Old Men. All the negative space in those buildings' windows that could be filled at any moment by Malvo… even the lighting looked similar, with the lights cast upward.