Hopefully it maintains the noir spirit of Tarantino's original.

MOVE BITCH GETOUTTHAWAY

Yes, jews do seem like the next logical step.

New York Times? New. York. TIMES?

The opening credits, with "Masterpiece", are incredible, illustrating a none-too-pretty picture of the mall that, for whatever reason, Ronnie loves so much. 
Hill seems to really know how to use the non-diagetic soundtrack really well, kind of like a rougher Wes Anderson, like Scott was talking about.

Well, since there ain't no Parks, I guess me and the Isis gang are going into full party mode.

I left the Parks RIGHT HERE! Where could it have gone to?

I hear they're planning on rastifying Champion.

"You can hear the ocean if you put it up to your ear.

To each his own, I like Observe a lot better. I think Observe has more style and keeps its balls in the air throughout, where Big Fan really drags prior/during Patton going to Philly. However, no single moment in Observe, or most recent film/TV for that matter, has made me laugh quite like the moment where Patton…

I really really like this movie, and I can never really explain why. Like you said, Scott, there's something about it that just stays with you. I think part of it for me is that I like Hill's style in general. As much as I love it, I hope this is the last season of Eastbound and Down so maybe Hill can make another…

So, it's their Dawes?

Shit…uh……Can I pet your Dawes?

It's OUR Dawes.

And I was saying you best clean up before I sell you any damn weed. YOU STINK!

Also, dragons.

Maybe in the finale, he'll get some crazy disease that only he can figure out, and then once he does, he dies before he can tell anybody. Also, he wakes up in bed with Bob Newhart or something.

If they're thinking of remaking Blow-Up, they can just march out the door right now.

Soap.

"But we gave this idea a nice new haircut! Come on! Why won't you go out with it!"