As far as I can tell, DW fandom is split up into three groups:

Hmm. I actually might like The Rhythm of the Saints more than Graceland — they're both probably all-time top-10 albums for me — and this song doesn't really do much for me. It sounds like exactly what it is — an unreleased track recorded during the Rhythm sessions.

I'm kind of hoping Ethan's face makes contact with a hot griddle at some point this season.

Hot girls and jokes are truly the chocolate and peanut butter of situation comedy programming.

Santiago was very Britta-esque in this episode — which seems to be in vogue as the new direction to go with the too-cool-for-school-yet-craves-approval love interest in sitcoms these days. Hmm.

They remind me of a cross between Jerry and those two terrible, older, alcoholic, clearly-don't-give-a-shit cops from the first season of "The Wire" who 11-YEAR-OLD SPOILERS Daniels ends up kicking out of the unit.

Also, Marion Coatesworth-Haye, a.k.a. Marblehead.

She is a little funny-looking, but in a way that is kind of growing on me.

How is it that both of my favorite currently-airing TV comedies had supersized London episodes guest-starring Peter Serafinowicz tonight?

@avclub-f5fc0943a2d597c869afec4103a54605:disqus Oh God.

So basically, they spelled your name wrong on your birth certificate.

I actually thought it was almost meaningful character development for Jean-Ralphio to confess to his dad that he's a fuckup and stick up for Tom, even if it was immediately undercut by his chewing the scenery and reverting to the age of four with Mona-Lisa.

I kept thinking, I wish there were a way to just get her out of the whole politics scene without it coming off like character regression. Honestly, I think the creative team wanted Leslie to end up on her inexorable march to the White House by getting elected to municipal office before the show was canceled, and now…

Oh god
MAKE IT STOP

It's okay, I feel that way about Aubrey Plaza in like every episode.

Much as the great Henry Winkler has been having "a moment" lately (starting with his recurring part on "Arrested Development" and accelerating more recently to the point where I can't turn on the television without seeing him, although that may say something about my taste in programming), I think Peter Serafinowicz…

That is, until Samantha Cameron's "kill Scotty" tape leaks.

@avclub-776e9111d31a090979dd9fc5f382651c:disqus Sure, but everything about Prince screams "'80s pop". Then again, that's also true of Phil Collins. So I'm not sure what my point is.

Heavy metal ate prog. I think it started with Queensryche (which I actually kind of enjoy) and then accelerated with Primus and King's X in the 1990s, and then Dream Theater, Tool, etc.

How the fuck did Prince escape being that guy?