avclub-329f759018034efc82aa5d0d3ae543fc--disqus
wregular
avclub-329f759018034efc82aa5d0d3ae543fc--disqus

The point about the love theme being too close to the bone is interesting. I can see why people might take it that way. But at the same time, in this series we've even seen moments of real tenderness between, for example, Lars and Sadie. Maybe we shouldn't be looking at it as, we're missing out if we don't have

I thought this was the worst episode of the series. Once again an entire episode saw the whole universe revolve around Mordecai's penis. These episodes are boring, and they treat both the cast of characters and the audience like they're stupid.

Well said, all of it. Especially the part about Benson. I'd love to see more of him, but the stuff he's doing these days is just brilliant on all levels.

I've now watched the episode three times and although I wasn't blown away the first time by anything except the ending, I'm much more happy with it now. Just a really well-worked episode, and now it remains to be seen what becomes of their relationship.

"Will they/won't they" has just been answered - they will.

This was one of the just-plain-fun episodes where they didn't try to tell a big moralistic tale, but just focused on the craziness that they're so good at. It really paid off. Some of the episodes like this have been weak this season (e.g. Firework Run), but this one was superb. As Alisdair says, the sheer

Good hypothesis! Either way, it was an awesome episode.

These episodes are just so awesome, the Fionna/Cake and Marshall Lee ones, but when the stories end and you're back to the storytellers it's hard not to be a little upset that things are so different in their real world.

I think you're totally spot on.

I think the reason for Eileen's absence is that she'd have very few lines which would look weird without an explanation, given that she's apparently very close to Margaret. They'd need to work in a scene where she explains why she isn't speaking up, probably because she doesn't want to betray her confidence, and all

It looks like Skips will be one of the focus characters in Monday's episode, "Quips" (featuring his cousin, who tells the lamest of jokes.) Pops is MIA, and Thomas is just M

Awesome review of a classic, seminal episode. A lot of people online were annoyed by Margaret's reaction, but I thought it was perfect for both characters. They are still young adults, still figuring their way around, and it was refreshing to see her play Mordecai at his own game, as it were. Every time we get an

This isn't fair: the reset button wasn't pushed. We know beyond all doubt that Margaret sees Mordecai's attempts for what they are now.

Don't ask, or you DIE.

I loved this episode after the weird start (Benson, who was the last person to eat someone's lunch? Oh, that's right: you. You ate their burgers in season 3, while your grilled cheese sandwich was eaten prior to that in season 1. Get over it.) A great mix of action and hilarity, with lots of nods to the HK film genre.

You're not comparing like with like at all. Generally when four thugs drag their dying friend in they're not attacked by the surgeon's friends.

I could have sworn Mordecai  turned and looked at the audience during his phone call to Margaret - a knowing glance. "Yeah, we know…"

This episode just veered from great to awful with very little middle ground. Agree completely with Alisdair that some of the scenes were simply flabby. The first meeting in the warehouse just never seemed to end, and had maybe two lines worthy of the several minutes spent there.

For me this was one of the best episodes of the whole series.  Contrary to Alisdair I thought there was a satisfactory ending here - Margaret's "I'm not going anywhere" was ambiguous. She was never physically going anywhere in the first place. She was talking about her feelings. I also felt that Mordecai came across

Check out the storyboard for this episode, they had to cut out tons.