You’re right, I missed that. Damn.

Exactly. There he goes off the rails and straight into right wing/nutjob land. It is actually always there, muddled together with thoughts you might actually have nodded to. In fact, that muddling probably makes it worse.

I liked the film a lot when I watched it as a teenager, but it never inspired me to go mod (HC punk was my (The) Jam).

You’re right, I missed that. Damn.

While I regularly recoil in disgust at the crap Morrissey says, and at most of these quotes, too, (1) ‘humane slaughter’ is certainly oxymoronic language use and if sb says that in good faith, that probably isn’t clever. (His analogy of course is frightful again.), and (2) I don’t see the point in criticising his…

While I regularly recoil in disgust at the crap Morrissey says, and at most of these quotes, too, (1) ‘humane slaughter’ is certainly oxymoronic language use and if sb says that in good faith, that probably isn’t clever. (His analogy of course is frightful again.), and (2) I don’t see the point in criticising his…

While I regularly recoil in disgust at the crap Morrissey says, and at most of these quotes, too, (1) ‘humane slaughter’ is certainly oxymoronic language use and if sb says that in good faith, that probably isn’t clever. (His analogy of course is frightful again.), and (2) I don’t see the point in criticising his…

Quoted the same line, it’s so insanely good and well-delivered.

Housekeeper: “This was a priceless Steinway!”

Strikes again is one of my favourite laugh-fests period. Clouseau as hunchback of Notre Dame* (the article doesn’t mention where he flies by!) is timeless as is the pole-vaulting sequence which, incidentally, has one of the best incidental pieces of music Mancini has composed, and also the gruesome spy vs spy killing…

Only one man is capable of pulling the wrong tooth!

This was a total must-see from the moment I read about blast beats over bucolic landscapes to the headbanging saints.

Yeeeah, Jungleland!!!

You could go through all Springsteen albums with this, I just picked those closest to my heart, but incident->serenade, hell yeah. Tom Joad and BitUSA are obvious contenders, too, the others I’d have to look closely.

I’ve got the same with OK Computer, listened to it in a non-album sequence for years and never realized until I got a physical copy.

Carcass, Heartwork, tracks 1-3 + 4 as a bonus, but whole album is classic.

Hold on, I’m damn sure you get one or two three song stretches of brilliance out of ‘Mule Variations”, too. Basically any stretch between tracks 1-9, maybe around, of course, Hold on and/or House where nobody lives, and around Georgia Lee.

Wholly, completely agree, but thing is, before Backstreets there’s Night - not too shabby either for my money, but obviously it pales next to the incredible no. 4 (to say nothing of no. 5).

Whaddya think of A Productive Cough?

Yay DLJ and Elvis C.