Agreed. The Mary thing ruined the effect.

I'm still not sure it's what you meant, but note that in the Tomas episode, Simon wryly remarked, "Now that this issue is behind us, it will be forgotten by all…and surely the history books as well."

"Fear is exhausting." I can watch/listen to Adelaide Kane's adorably non-ironic, sincere delivery of ridiculous dialogue all day.

I really do love this design actually, but why are notifications no longer popping up anywhere?

So for the past season and a quarter, the consensus seemed to be that the New York storylines were far more interesting. Glee needed to ditch Lima and focus on the graduates/originals pursuing artistic careers in New York.

What makes this a manotaur rather than a minotaur?

Who is Luke Wheeler supposed to be parodying?

Meat in one hole, milk in the other.

The scenes with Axe Man and Fiona were awful. In the moment, I'm sure it seemed like magic was being made—two solid actors totally getting wacky with each other—but it offered me nothing from a narrative perspective. Also, was it explained how a man who had been held prison in the witch mansion for roughly 100 years…

Chicken and the egg, though.

Lorde's "Royals" is as pop as it gets. Yet it was on the top of the Alt Charts for six weeks and is still on top of the Rock Songs (in like its 12th week).

Seth MacFarlane is neither Jewish nor black though…

Couldn't watch this one - audio for FOX's entire lineup was out of sync in New York (at least on Time Warner's system). Ridiculous.

The Virginia/Bill element of this episode seemed to undo last week's pivotal scene. Last week, Virginia and Bill had that "hot" hookup in which they climaxed at the same time. That turned the tables. He seemed confident, detached and upbeat enough to return to his wife, but she was suddenly looking at him…

It's strange. Having dealt with some TV media sites, I know they sometimes try to avoid giving you access to high-res for whatever reason (though I'd imagine AVClub has enough clout to get it), but the clarity of the Eastbound & Down image proves that's not the case with HBO.

Based on ratings, no show is watched by anything even close to the majority. But I've had trouble finding ANYONe I know who watched this past season one (and that was just cause they were my roommates in college watching with me), and I'm in the show's most precise demographic.

Most of the ending montage never happened, as evidenced by April showing up at the end.

Maybe I became as deluded as Wade, but weren't we supposed to conclude, from the early interaction with his wife, that his well-maintained, "cool guy" routine was actually working (obviously it would have been ruined if he showed up at bowling)? She seemed mildly interested/disappointed that he didn't beg for her…

Last week, "Hello Ladies" put an end to the uncertainty over whether it considers Stuart a good guy. It does.

I really liked this episode, but I had to knock it down like 3 letter grades for the "twist" that Mira's boyfriend was involved in something.