avclub-222afbe0d68c61de60374b96f1d86715--disqus
tibber
avclub-222afbe0d68c61de60374b96f1d86715--disqus

I have done better with it lately. I think I get it now, actually.

@avclub-3be42d8a3412057f79af152555e39bd4:disqus I'm reading that right now and it's kind of kicking my ass.

Sounds good, but are there any Melvins songs on the soundtrack?

@avclub-b030afbb3a8af8fb0759241c97466ee4:disqus  you left a hole in the back of my head.

Hindsight does him no good.

Yes.

I've seen them twice, and both times have enjoyed it way more than most of the others in attendance, who apparently don't keep up with Carlson's work.

I love Earth, but I wonder how much farther Dylan can take the whole "western" approach he's been doing for a few albums now. I actually like the idea of going even more minimal, though.

I dread the surely soon to come King of Queens article, because I've noticed lately that more people around here keep trying to claim that it was actually good.

Whatdya need, a road map?

Kubrick won for visual effects on 2001.

We all have to make sacrifices.

@jerkheadface It's not a bad thing, mind you. At least not to me.

Bresson's thing is to focus on minute details. Hands, physical objects, etc. I think it gets kind of enthralling once you get used to it.

I think Mouchette is his best film (that I've seen anyway.) L'argent is also great but I'd say it's advanced studies.

Isn't it?

Sounds like a waste of a really interesting take on the apocalypse.

Reading Infinite Jest put me on an experimental movie kick for a while. I usually end up feeling like I shouldn't really like, say, a Bruce Baillie film, but what the hell.

This sounds like the perfect distillation of the type of movie I try to find streaming on Netflix when depressed, yet isn't available via streaming.