Maybe one of his seizures came back to finish the job, but then couldn't hit anything with the gun because of all the shaking.
Maybe one of his seizures came back to finish the job, but then couldn't hit anything with the gun because of all the shaking.
Maybe one of his seizures came back to finish the job, but then couldn't hit anything with the gun because of all the shaking.
Yeah, I figured that when the first chamber was found to be empty, they'd have to go off and find whoever took it (or follow a series of clues to find its new resting place). But… nope, it's just behind this other wall here. Way to build that tension, guys.
Similar to Zack, I figured there was some kind of technobabble field that affected the Klingon nervous system to something-something paranoia, and I was actually pretty disappointed that this wasn't the case. I get that you want to show that characters have a dark side, but having Worf essentially attempting murder at…
Maybe it was an homage to Shatner's shirtless wrestling in one of the first few episodes of TOS?
But did they do that because they got squeemish about homosexuality, or because that's not what they had in mind for the character? Maybe a little from both columns, but I doubt the intent was nefarious.
Djadzia Unchained.
Well, he did put all his points into Wisdom. Which is a weird choice for a mage, but hey.
I like the idea of Riker being in control. Everyone knows that beard beats alien symbiont (which beats paper, because it's all slimy and stuff).
Not always: "Congratulations, you are fully dilated to ten centimeters. You may now give birth." But I'd agree that overall, he was way more consistent on DS9.
Precious and farty.
My feeling is that metaplots are fine; it's when the metaplot is tied to uncovering some central mystery that you run into trouble. Has there been a single mega-mystery show that's had a satisfying resolution? The X-Files, Lost, and Battlestar are the three that leap to mind for me, and all had resolutions that were…
My feeling is that metaplots are fine; it's when the metaplot is tied to uncovering some central mystery that you run into trouble. Has there been a single mega-mystery show that's had a satisfying resolution? The X-Files, Lost, and Battlestar are the three that leap to mind for me, and all had resolutions that were…
Plus, they were usually delivered by Patrick Stewart. It would have been funny how often they just handed him a monologue and got the hell out of the way if it hadn't worked almost every time.
You're rite.
Liked for liking to see Worf fail. I don't agree, but it's too hilarious not to respect that opinion.
I've always thought the actress playing Ziyal's performance at the end of the episode did a really impressive job. With just a few lines, she conveys hope, fear, sadness, and a kind of inevitable resignation. But maybe it's just me.
O'Brien actually brings that up to him, right? Something like, "How do we know that once they're free, they won't start marauding around the galaxy on their own? At least with ketracel white, they're under someone's control."
Slant rhyme yo! A long and noble tradition.
Slant rhyme yo! A long and noble tradition.