avclub-1fe6afd6b9a130b35a374afcbd1dea80--disqus
sleepyirv
avclub-1fe6afd6b9a130b35a374afcbd1dea80--disqus

I said rarely, not never.

The Chief screaming "you need a warrant" every episode is what instilled in me a strong belief in proper legal process and civil rights. Which might not have been the purpose of the show but I was never one to learn what was actually being taught.

Chess is a fascinating subject that rarely gets much movie time besides being shorthand for "these characters are really smart." I somewhat understand since chess is almost a foreign language- where great games are like great novels and rank amateurs' moves come off as gibberish. Even if the tournament is used mostly

"He always knew he would get the last laugh!"
"He was always wrong!"

Charlie Day is the Wild Card character.

I can understand folks liking stuff I find entirely mediocre that's just how the world works. But how can a vast percentage of the population not only find ventriloquists not creepy but also entertaining enough to pay money to watch.

But are they keeping the suicidal guy from the beginning? Because that's what sold me on the original.

So how much of the CD concerns the relations between the English monarchy with its nobility regarding their rights and powers, accidentally leading to the concept of individual rights that led to the legal principles still in affect in the Anglo-speaking world including the United States?

I bet when Fred Durst tells this story, it's how he got Al Jourgensen to hang around when Durst was aggressively sexually harassing him. 

But the Victorian erotica characters  will make it in the TV version, right?

Why is this a genre? Like, we have Noah Baumbach. He's got this shit nailed down. 20-somethings suck at acting like the 1950s TV version of adults. The economy is in the tank. Parents just don't understand. The hook of your movie can't be "20-somethings at a crossroads" anymore. It at least has to be "20-somethings at

He blows up a a factory full of Joker's goons. Also, at the end, he ties the Joker to a stone gargoyle that leads directly to his death.

I'm going to disagree with the George Clooney pick. The script/directing of Batman & Robin is so bad that literally any acting decision is incorrect.  How can you say Thurman, Silverman, or Schwarzenegger was miscast? Who COULD have play any of those roles as written? Alan Rickman might have been more believable as a

Love the Patch Boomhauer episode. When Hank asks Boomhauer is he was responsible and immediately believes him when he says no. When the gang is incredibly different personality-wise, they all trust each other. And that's how relationships survive.

I haven't heard so many fucks in a children's show review since Uncle Melvin and Jim Beam watched Sesame Street with me when I was three.

Jim Carrey: I'm sorry, but I just can't support Kick-Ass 2. I think it's an abomination.
Reporter: Because of Sandy Hook?
Jim Carrey:… Yes

What I like about Green Arrow is that he actually makes sense as a crimefighter. I mean, who thinks it's smart to rob a bank in Metropolis when there's an all-seeing alien out there? But a guy with a bow and arrow? I would be worried more about police.

Ed completely burning Sue is the first time the show recognizes that Sue's authority COMPLETELY comes from her attitude. If you're not scared, she doesn't have anything over you.

Dear Future White-Collar Criminals,

The main problem is that Hollywood producers refuse to go to the source of the greatest Superman stories- Jimmy Olson comics.