Dead on, fellow Gabriel devotee.

A companion piece to Beck's most boring record. Hooray.

http://www.nme.com/news/lad…

Yeah, except for when Jeff dies and Kerry and Tom fire Dave, and then trot out fucking zombie Slayer to festivals. Slayer started sucking this year, unfortunately.

They have one of those in Houston. Morrissey played there and they had catering and Starbucks for the audience.

I sincerely hope this is supposed to be implying Jay-Z is a good top 40 artist and Macklemore is not, and not the other way around.

Paranoid. There is just no greater album. The first record I ever heard too, and it spoiled me from then on out. I blame hearing Paranoid in full when I was 12 for why I don't understand the hype over bands like Deafheaven.

I understand if you don't dig it. I personally really like it aside from the usual problems I always have with Rubin's production (trying too much to rehash past glories, especially the particularly egregious redo of "Planet Caravan" in "Zeitgeist," songs running on too long for no reason, and all the instruments…

There should be a law that if you sell your balls to VH1 you shouldn't be allowed to criticize anyone anymore.

Jerry did leads on both singles, so I'm guessing the album features a lot of his voice.

I feel like I'm more happy that Alice in Chains is making new music and still sounds like Alice in Chains than I am excited to hear this.

Agreed. I'd say it was their best, except for the fact that Dirt plays like a greatest hits. Maybe their most accomplished? It's a whole lot deeper than Dirt. Less immediately satisfying, but brilliant all the same.

Yeah, I find myself returning very little to exceptionally long albums these days. I'm too busy to discover all of it, even if there are hidden gems. It might be great for hardcore fans, but it hurts anyone else.

They've been trying to earn their way into Heaven ever since, just like the 100 deeds of Eddie McDowd.

I actually really liked the first Hangover, but after that…

I've always felt this show would be brilliant without the obnoxious laugh track that's louder than anything else and often drowns out the actors. It's like watching Married with Children, except the British are too polite to talk over the studio audience. If anyone could remove the laugh track from this show, it would…

I did an article laying out one or two good ones from each. Of course, there's more good than that, but you could assemble a good album (or EP considering the lengths of the songs) from just the selections I made.

I think PBR should be thanking Blue Velvet actually, since I'm pretty sure Frank's ringing endorsement is how hipsters picked up on it in the first place.

I do, but I feel like if people like those albums, but despise Embryonic or The Terror, then their next step might be twee rather than heavy psychedelic. I think that's more the type of music they would enjoy and maybe then they would stop bitching and whining over The Terror and the band playing it in its entirety.…

I'm starting to suspect people who like The Soft Bulletin through to At War
With the Mystics only never really got what made the Flaming Lips a
good band in the first place and would be better served with some nice,
twee indie pop. You know, there's still Of Montreal if that's all you cared about.