avclub-1bfb50f8428a734a72e2ace7d8b3166e--disqus
TooMuchTime
avclub-1bfb50f8428a734a72e2ace7d8b3166e--disqus

And yet!

This is this. This ain't something else. This is this. From now on, you're on your own.

Funnily enough, John Goodman went on to perform in Waiting for Godot.

"I heard about Becky's unfortunate accident. I'm so sorry."

For me, the appeal lies in how cartoonishly absurd the characters and plots are.

The funniest bit for me was when Roseanne introduced him to Crystal and Jackie: "Of course, you girls recognize Warren Beatty…"

Daaaaaaaaaaaamn.

Is that the same one where Roseanne gets harassed by some weirdo at the Lunchbox?

Does it scare the hell out of you when he yells "THE HELL I DID!" when Roseanne tells him he told her to quit her job?

Oh, man. Dan running in place to get away from the imaginary birds. That never gets old.

But I love both these shows. Mom and dad, please stop fighting!

One of the things that really gets to me about that particular moment is the way Roseanne looks at Dan when she's taking Jackie to get cleaned up. Like she's asking him for help, but not saying anything.

I love when Roseanne tells her not to tease him about it or he'll turn into a serial killer, and Darlene says, "How much damage can he do with one hand?"

They more or less turned Jackie into a combination of Gilligan and Barney Fife.

I'm laughing at stuff like this when I laugh at nerds. [goes back to writing Fringe fic]

I'm laughing at stuff like this when I laugh at nerds. [goes back to writing Fringe fic]

I'm laughing at stuff like this when I laugh at nerds. [goes back to writing Fringe fic]

I'm laughing at stuff like this when I laugh at nerds. [goes back to writing Fringe fic]

"I said SPIT CURLS, not RINGLETS, you lousy fuck!"