I mean the footage he inserted. I didn't mean story ideas.

I wouldn't believe much of what the Salkinds say. They were pretty damn near close to grifters, at times; Papa Salkind himself was barred from several countries on account of it.

Superman: Cultural Colonialist!

Two Mules for Mia Sara

Tick tock goes the clock,
He cradled and he rocked her…

Which was the original ending of Superman II, moved to I in order to punch it up and use the expensive footage shot then/now in case the first movie didn't make back its money enough to warrant a second one (which apparently was the producers' reason, insane as it is, as they'd already shot most of the second one by…

No, that's Noah. Which makes Jimmy Ham, I guess.

I recognized him a while back; it was bizarre seeing him that young, though.

Shaun of the Dead?

Ooh, is the Doctor involved? How 'bout some Gangers?

YES! AND YOU'RE ALL CRAZY!!!

You've fucked Captain America?

Huh? Brando had the least funny moments in his Superman films; what in hell are you talking about?

And you are objectively wrong, sir, not least of which because Lester's revisions visually look inferior to what Geoffrey Unsworth lensed on Donner's footage.

Um… what exactly were his ideas? Aside from the loathsome comedy sequences in II and III?

But the monster was the sympathetic one!

Um… Quest for Peace wasn't produced by the Salkinds. It was, however, produced by Golan-Globus.

You idiot, the pirates were the best part! >:-(

Only when shampoo is bettah!

Wait, Clark doesn't even go to high school in this movie? The fuck? :-O