avclub-14ab3610488873ae27b32947a76e6bd1--disqus
Acid Police
avclub-14ab3610488873ae27b32947a76e6bd1--disqus

This entire episode was like that scene in "The Master" where Amy Adams is looking at the camera, and her eyes start to turn black very very slowly. It looked normal, but something about it felt really off, and I can't quite put my finger on it. It felt like the characters were disappearing or something, like they

IT'S SO PEPPERY!!!!!

COMMUNITY IS THE OPPOSITE OF BATMAN

Not to mention Andy Greenwald over at Grantland. All three of them said pretty much the same thing in their reviews, although I thought the NYT guy was a touch too harsh.

Fleetwood Mac, "Rumours" (Secondhand News/Dreams)

D'aww shucks, I like Terror Twilight! "Spit on a Stranger" and "Folk Jam" are a decent one two punch, even though the others you've listed are admittedly a lot better.

Also I think he may have snuck a little bit of El Chupacabra in at one point!

That's awesome, what was your suggestion?

Yeah, the five star Amazon reviews are always the highlight for me. June's deep thoughts work better scattered throughout the show, if nothing than for another way to get Jason super worked up (his disbelief over her robot theory from "Judge Dredd" was pretty fantastic)

I like all 3 for different reasons. I like HDTGM because Jason is always hysterical, and they usually get pretty decent guests, so it's nice to have a different dynamic every episode. I like The Flop House because of the insane tangents they go down, and how those tangents become running jokes throughout each episode,

Watched DUNE with no sound in a bar on the Lower East Side with Lassid Police (about as easy to follow as it is with the sound on), woke up hungover the next day, so we ordered Mexican food and Netflixed the first five episodes of SPACED (great, so many jokes and references that would later end up in SHAUN OF THE

I finished "Big Day Coming: Yo La Tengo and the Rise of Indie Rock". YLT are my favorite band of all time, so getting to learn a bunch of dorky insider-baseball type stuff about them as a band (though not much as people, they are super private after all) was so awesome. When the author tries to weave in the history of

I finished "Big Day Coming: Yo La Tengo and the Rise of Indie Rock". YLT are my favorite band of all time, so getting to learn a bunch of dorky insider-baseball type stuff about them as a band (though not much as people, they are super private after all) was so awesome. When the author tries to weave in the history of

I'm not sure that that's necessarily a bad thing.

So I think the world would be a better place if we just let Kevin Shields master every single record from now on, because this thing sounds fucking UHHHHMAZING. Even if the songs themselves weren't great (which thankfully they are), this would be one of the best-sounding records I've ever heard. My only gripe: you

Definitely either Chris Gore or Todd Barry.

"LOOOOOOOOOOOONGFELLOW!!!"

You're a worthy opponent, Bucho. I'll see you at b-o-n-o-bos dot COOOOOOOOOOOOOOOOM!

Pretty sure it was an unbeatable sombrero/Cosby sweater combo.

So glad I now have a mental image of a crazed Jon Daly in a bad sweater to go along with Bill Cosby Bukowski's epic Jelloems. "Barack Obama is the Wizard of Oz!"