"Are you going to be comfortable with casual racism?"

I remember season 1 when Bob Odenkirk's character had to acknowledge his errors. I thought Noah borrowed from that for Shea Whigham this season. Why build up all the tension between the Sheriff and the Deputy only for the scene to be lost in god knows where. Some would call it a Coen Brothers' way. I can think up many…

And to think that we waited for the final banter between the Sheriff and the deputy only for it not to happen.

It got lazy toward the end for all the intricacies going on…

I know Fargo ends it's stories per season to start another tale even though there are geographic and time — generational — connections for every story, my problem is how resolutions are rushed sometimes in the season finales. This particular season expresses a lot of convenient ways out with its summary-style ending.…

Chuck's downward spiral was indeed painful to watch. He was warned though to take it slow, but he broke finally when Howard flipped the game on him. Many people are out there in real life trapped in a mind condition so bad that there's no helping them. Life can be quite unpleasantly terrible when it chooses to deal…

That was an episode. And yes this montage does remind one of it.

Considered a top lyricist. Prodigy will be forever missed.

With all the coin tricks, I'm thinking Gambit.

Loved the Poetry-esque style of the whole story (As seen in Hannibal). Also amazing to keep some god-fight action till the finale. Bryan Fuller's style has indeed come to stay.

Vince Gilligan does this thing where he introduces a random scene, smoothly done such that you will appreciate the concept of foreshadowing. In addition to Kim's case, we were made to share a degree of the experience of skipping seconds in a doze or quick nap rather than just watch it happen. Yes a few episodes ago…