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Scoots
avclub-0fd79996a2d601c6e0f2bff37375ae2e--disqus

Aaaah this sucks.

Agreed!

A: She'd just been half-choked to death, I don't think she was supposed to have much energy at that point
B: You deal with the problem instantly 'nip it in the bud'. Fuck what they know, take the person that knows out of the picture and the problem is solved. Equally, Adrianna is well liked by all the gang. I doubt

As other people have mentioned, Sil did commit murder throughout the show.

And so, we come back to my favourite thing about the Sopranos.

Sorry, Myles, I know you're loooong gone and already dealing with reviewing the next episode.

Sorry to reply to you so late, Mike.

I'm really not sure, Wojtky, but I don't rate this as the best in the series. I think there are better ones. I haven't really been able to narrow that down yet since I haven't watched the series for several months and use these reviews as brief nostalgia.

Don't think it's the best episode.

You just nailed down the purpose of the Test Dream, I think. Is Tony ready to face the issue with his cousin? Should he have to? That's basically the inner turmoil, I think.

I found myself questionning whether or not this was a dream, too.

This episode isn't so much a message about the plot and setting of a TV story so much as it is a deeper look at a frustrated character's inner self. That's where the enjoyment should be. I've seen many commenters arguing that it adds nothing to the plot or does not necessarily engage viewers with the story but that's

Vito's homosexuality is never defined, explored or used as anything more than one-dimensional character embodiment. His return to mafia life has nothing to do with his homosexuality.

I'm still laughing but…

My other half has the same opinion.

Hey Todd, my vote is for Extras which is just a wonderful TV series. If you liked the humanity and the character analysis that was available in the Office then you'll love Extras, which hits you over the head with it from the get go. It deals with two important themes: Fame (and the crawling desire for fame) and

More significantly: Chris' success in rehab was all completely down to Tony's urging. He did it for Tony, that much was apparent.

But Delvis, that's the strongest feature of the Sopranos.

Thanks guys.

My issue with the whole thing wasn't the acting or the setting. I will tell you that it didn't convince me of a healthy and normal gay relationship (being gay myself that's an easy conclusion to come to) and that it wasn't wonderful TV but it did the job that it was intended to do and it seemed very much like an