Did Zeek intentionally leave her out of the introductions so that she'd speak up and catch soldier-boy's eye? Crafty. But also a perfect Ann Veal moment.
Did Zeek intentionally leave her out of the introductions so that she'd speak up and catch soldier-boy's eye? Crafty. But also a perfect Ann Veal moment.
And while Julia did say she missed the call because she was at her kid's ballgame, the superiors never said anything to suggest they thought her being a working mom was the problem.
And while Julia did say she missed the call because she was at her kid's ballgame, the superiors never said anything to suggest they thought her being a working mom was the problem.
In my brief little-league career I learned very quickly that if I never swung the bat the odds were high I'd get walked on-base before the pitcher could put together three strikes.
In my brief little-league career I learned very quickly that if I never swung the bat the odds were high I'd get walked on-base before the pitcher could put together three strikes.
You've got a point, grrarrg. Especially since another thread of this discussion concerns whether or not Mickey's burrito was a euphemistic 'sandwich'.
You've got a point, grrarrg. Especially since another thread of this discussion concerns whether or not Mickey's burrito was a euphemistic 'sandwich'.
They both get a couple of killer scenes.
They both get a couple of killer scenes.
I hope somebody got fired for that blunder.
I hope somebody got fired for that blunder.
Oh and P.S. This Blu release is not in fact the first time DIAL M has been made available in 3D on home video. The short-lived VHD format from the mid-80s claims that honor.
Oh and P.S. This Blu release is not in fact the first time DIAL M has been made available in 3D on home video. The short-lived VHD format from the mid-80s claims that honor.
HUGO's 3D is superb, but Scorsese's endlessly swooping camera makes it difficult to take in.
HUGO's 3D is superb, but Scorsese's endlessly swooping camera makes it difficult to take in.
I count myself among said fortunate few, thanks to 3D Expos I and II at the Egyptian in Hollywood, in 2003 and 2006.
I count myself among said fortunate few, thanks to 3D Expos I and II at the Egyptian in Hollywood, in 2003 and 2006.
You can say the same for live-action. Native stereo photography has had a tough time gaining acceptance in an industry that (so far) prefers the 'control' of animation and post-conversion to a carefully-planned principal shoot, but it's telling that the audience consensus on "best 3D I've seen" favors CAVE OF…
You can say the same for live-action. Native stereo photography has had a tough time gaining acceptance in an industry that (so far) prefers the 'control' of animation and post-conversion to a carefully-planned principal shoot, but it's telling that the audience consensus on "best 3D I've seen" favors CAVE OF…
I firmly believe that if the '50s boom had lasted, Hitchcock would have shot his next film, REAR WINDOW, in 3D. The way that movie is staged I'd be surprised if he hadn't considered it in preproduction. Talk about a perfect setting and subject matter.