Today? I was dissing it when it was on, and felt like the only one in a crowd of people who thought otherwise. It wasn't groundbreaking to me because it was enamored with the idea of being a show about nothing. You know, I might have liked it if it had been, because that meant it would have been all of them doing…

Fuck you, Sean Avery. You can't play ACTUAL hockey.

I don't know, can they get Hugh Dillon out of Flashpoint, or whatever that show is called (ha)? I don't think you can make a sequel, really. It was a fantastic piece of work that doesn't deserve one. By the way, I was an extra in a show with Callum Keith Rennie and told him about how much I loved the movie. He said…

You like Oprah's Rack?

The Comeback Special alone should make him get a lifetime pass.

I don't know. I don't live in Minneapolis, but I've since found that it's been torn down:

I'd watch them make out.

My life lost meaning when the show ended because it was one less thing for me to bitch about?

Was it that he interrupted wank sessions during Red Shoe Diaries?

Seriously Otto (Great Frightenstein picture), That movie was so fucking great. And to go from Pezz to that? Ugh.

Hey, I ran across Pastamania in Minneapolis. I took a picture: http://www.flickr.com/photo…

Yeah you know, I didn't mind Machina. But after that I kind of lost track. I did however start disliking him when he decided to be a prick about who played what on albums. And fuck it, you can't make fun of James Iha. that man is great.

SHAQandSTEIN.

Wrestlemania 5. UN-REDEEMABLE.

Rage Against the Soundgarden was shit.

STEALTH was amazing (ly hilarious).

I was like that with The daily show. Because an old roommate I hated liked it, I never gave it a chance, and then I did again three years later.

Then I'd be a big fan of Toad.

But Leonard, have you heard of the FINGERPOKE OF DOOM? That's enough to make all of it moot.

I think that might be an EPIC fail right there. Or hilarious sarcasm. I can't tell.