I believe it was called "The Conan O'Brien That Couldn't Slow Down."

Watching "Major League" must have been eye opening for you.

i dunno. 3 months of 'best ofs' and memorable episodes from the 22 odd years he's been on CBS would be all right.

They could always stick the guest hosts somewhere else. CBS has some extra studio somewhere, right?

RIP Ron Silver.

It's certainly possible for navy service members to see combat when not on their boats. My ex-brother-in-law was Air Force, and still ended up doing a hitch in Afghanistan trying to teach them logistics. (It's one reason he's no longer my brother-in-law.)

For some people, remaking already successful, beloved movies is their El Guapo.

Not just no Zevon, but no R.E.M. making their TV debut on Late Night back in 1983? Such dogshit.

It's also what happens when late 80s pop stars get an animated furry fetish.

So basically, Cameo, CGI, Cameo, CGI, Cameo, CGI, repeat. The only great Music Video with nine million cameos remains Liberian Girl, which has everyone from Spielberg to Weird Al, and is peak late '80s. : https://www.youtube.com/wat…

The thing that made Will it Float? an even more perfect example of brilliant time-wasting stupidity? The fact that at the same time, the Late Show was being simulcast on the radio.

No matter how many Seavers or Goodens the Mets have had (which is to say two) their identity as loveable losers was locked in stone by 1963.

Having gone through the first two seasons so far, the biggest problem for Archer is that Bakula is naturally an exuberant idealistic softy, and yet Archer is written to be a perpetually petulant dullard.

Indeed, between introducing the Cardassians and showing Meaney could hold his own as an episode lead (really, he's actually better than the entire non-Patrick Stewart main cast) it's practically a backdoor pilot to DS9—something that is referenced back when they play the beginning of "The Minstrel Boy" before O'Brien…

I remember that storyline because Punisher and Kraven were able to track the Man-Spider to his base in the World Trade Center parking garage because of leftover gunpowder from the first bombing.

And yet, watching it at the time as a kid I didn't feel the action was limited in any particular way.

One thing I appreciate is that once he gets to the mansion, it more or less tilts to the Xavier-Magneto-Mystique triangle from First Class, with Wolvie just along for the ride it.

It somewhat helps that the X-films really benefit from being in their own universe, which eliminates the bizarre Marvel dichotomy where mutants are an out of control threat to humanity hunted by the government, but every other superhero is a beloved hero of the people. It makes the reaction to their threat reasonable.…

I actually really appreciate how relatively self contained DoFP was. You only have to compare its climax and the climax of Age of Ultron to appreciate the former's melding of weird spectacle (RFK Stadium!) with coherent, character-based storytelling vs the latter's 'bulding' for anti-climax after anti-climax.

Yeah. I meant to say non-CGI but it got lost in the ether somewhere. I blame Disqus.