No but she did identify as trans and regardless of when someone comes out, once they do I don't see why it's such a problem to consistently identify them by their chosen pronoun, which Modell is lapse about. Honestly, just change "husband" to "spouse" and spare everyone the grief. The film's slapdash attitude toward…

One of the many things that blow my mind about Ketch, listen to the two clips of OCMS and realize that the same guy singing lead on the first is doing the deep bass harmony on the second. I have no idea how he does it.

It's pretty incredible that it's a generic to camera testimonial shot, a frame you'd find Jenna Fischer in hundreds of times throughout the series, and can immediately recognized the episode based on the screen grab of her expression alone. That's a powerful bit of nonverbal acting.

That scene is one of the hardest tricks in fiction writing; putting two characters in a room with entirely distinct needs and struggles up until that moment wherein they both simultaneously get what they need emotionally from the other person and without either ever realizing what they did for each other. Pam and…

Well yes, this is exactly my point. I'm saying the emotional arc of this season has seemed to undermine this up until that last moment with Cooper.

I wasn't speaking biologically. Of course she can have a child in her 30s. I was talking about her state of mind.

How else do you expect them to secure the falling-asleep-with-the-television-on Grandfather demo?

I loved that little moment Moss had when he asked if he could have an ice pop, wordlessly conveying the realization that this is the closest thing she could have to a son.

I interpreted that more as an indication that Cutler never really got Don.

Well it's certainly ominous considering the title is "The Best Things In Life Are Free" and Don just secured his lot over the next five years for a shit ton of cash.

By the way, Megan's happy because she's resolved to leave Don. That's what that whole trip was about to get her stuff and why she was being cagey about seeing him in L.A. She was speaking metaphorically about seeing him under different circumstances then their crushing bi-costal marriage.

"It’s the ultimate symbol of how little any of this matters."

In the nonfiction version, Helen Mirren's character anonymously leaks false intel to a doting military journalist that the strike was believed to have killed Al-Qaeda's "number 2 man" (for about the 2 dozenth time). She then spends the next two months sleeping like a baby until the death of the 9-year old is uncovered…

Relative to the general population, studies have shown it's actually a very high percentage that are literally total psychopaths.

Not only is it solvable, it's fairly symbiotic. Planners should be with easy breezy people in relationships. Everything about this dramatic turn felt contrived…as opposed to say that episode where Prince taught them how to say "I love you."

Seriously, if this guy's a crank I don't want to know what that makes me:

The constant running joke of laughing at mentally ill homeless people is really getting in the way of my enjoying this show. I like Steve Agee and Ron Funches but find a role for them that doesn't involve dehumanizing one of the most fucked over populations in the world. Ha ha, he thinks he's doing taxes which is…

"3. Other than Annie, who do you like currently that's playing?"

Yeah I think in the case of something like lead breaks in Marrow or Cruel she's going for a minimalist thing that puts the focus on the tonal manipulations. I mean Cruel is just the melodic line run up and down on the 6th string, you can't really believe that's her A-Game fingerwork.

Saying she's not a great guitar playing because she's not a great soloist is a pretty limited criteria, even if we're just speaking on a technical level. She did go to Berkley for a couple years so there's definitely a "structure" to those wailings. I'm sure she has a more advanced sense of theory than the majority of…