Appropriately enough, this is definitely the year that I reached peak TV intake, so the idea of making a list determined by the quality of all the shows I love based solely on their 2015 output is pretty daunting. So, I did this instead:

Earl Sweatshirt's "Grief" stayed on pretty heavy rotation for me this year.

Gonna have to go with In Bruges but, to be fair, this could be an article about the best movies to watch with young children and ailing Mormons and I'd still pick In Bruges.

Yes, we've had John Hodgman, Todd Barry and Chris Elliott in minor roles, but it wasn't until I saw that it was indeed Jim fucking Norton as the moustachioed camera operator in this episode that I realized Steven Soderbergh is a goddamned genius at casting random comedians in bit parts.

Wolf Hall, anyone?
………..
Seriously, ANYONE?!

DOES SHE KNOW SHE'S AN AD??!!!

That smash cut from Nathan closing the soundproof box on the kid to a full blown orgy is the funniest thing I've seen on television this year.

Well, I'm Australian and I like Wikipedia.

What day is today?
It's Nibbler's birthday.
What a day for a birthdaaaaaay…
Let's all have some cake!

Annie's pretty old, we try not to sexualize her.

Spencer: My hand's getting sweaty.
Dan: Yeah, welcome to touching our skin.

Soooooo did anyone else only just realise this episode that that's definitely baritone Dan Harmon as Bird Person, right?

COLONEL SANDERS WAS BLACK! [Shoves Liz Lemon to the ground]

Anyone else get a mad No Country vibe from the scene where Molly waved down that driver and he immediately got shot?

….maaaan, I like Crash.

I don't think I've ever been suicidal but, in my most desolate moments, when I think matters are so desperate and tragic as to render me inconsolable, I've often felt myself overcome with an unbearable sense of empathy for… well, everything. Every or anything on this earth that may have felt the sadness or…

"Now cancel it! Ok, now put it back on! Haha…..

These reviews have been great and I really appreciate the opportunity to read an analysis from the perspective of someone who is quite familiar with the real life iteration of Everlasting…
Buuuuuuuuuut, if you're watching this show hoping for a realistic take on the production level business that goes into developing…

I admit, when Parks and Rec finished I was terrified that Nick Offerman would struggle to find regular work.

Peele: "What's that in your pocket there, Shaboots?"
Key: [aggressively whips out tampon] "Recognise this, MOTHERFUCKERS?!"
Peele: "That ain't space dynamite!"