Seriously under-rated episode.

I've been a bit obsessed with Iceland since I went there last year, such an otherworldly sort of place.

The Mormons I've met are so ridiculously nice that it makes me a little bit suspicious and uneasy.

I'd go with that. I actually find the end of Rosemary's Baby pretty cheesy after everything that's come before it, but the rest of the movie is amazingly tense.

I haven't heard a lot of their stuff, but I will defend Evil Boy to the death. Embarrassingly, that's probably one of my most-played songs of the year. It's terrible, but in a way where you want to hear it over and over.

I had to turn a genuine laugh into a coughing fit at "who brings a stylistic approach that can perhaps best be described as “within budget.”"

I'm actually looking at the Battles/Les Savy Fav one now, you going? I was promised the chance to hear tuneless indie bands in a decaying holiday camp in December, and I'm finding it hard to let go of that notion.

Haha, that sounds like the best/worst thing ever.

And thanks for being so reasonable in the face of a liberal lynch mob, it's interesting to get other perspectives on this stuff.

I blame you people for this, by the way. ATP's been getting killed on the US festivals, which was fine when the UK festivals underwrote them, but now sales have been slowing down over here because of the recession.

So weak. So weak.

A lot of venture capitalists and entrepreneurs actually sympathise with the protests.

I wouldn't say the US is the easiest place in the world to "make it" right now, man. Things are genuinely really tough right now for young people, like lost generation tough.

The current government occasionally murmurs something about reforming the defamation laws, because they are so biased to the defendant, but nothing's happened yet.

" As the memories of your college-rockin' past slowly becomes fodder for those oldies concerts that pad out public-television fund-raising drives…"

I think there's a lot of truth in that. I'm an incurable pop culture geek, and I love reading the reviews and the interviews and the analyses of the reviews and the articles about the analyses of the reviews and whether or not a backlash is in progress and, if so, what's driving that? etc.

I always hoped Ian Brown and Richard Ashcroft would one day team up to write the world's most inane song lyrics.

BUT WHAT OF IAN BROWN'S SOLO CAREER?? :(

The reviewer's one of the least snobby, least Fleet Arcade Collective-worshipping critics on the site, man.

"Like a gender-reversed Cool Hand Luke but with robots and not awesome". Why isn't this real?