It turned out that they did save someone. Cosby was really supposed to rape Jackie Kennedy.
It turned out that they did save someone. Cosby was really supposed to rape Jackie Kennedy.
Maron: "So what racket was your father in, Sam?"
Twain: "This is bullshit. I'm walking out like Mencia.
He was a dick, but the movie gave it some context: the grief he is feeling that very week in which the movie is set. It's clear that he's never been wonderful, but LD seems like he's being especially abrasive because of Mikey's death.
There's also been 100% turnover in film critics since then. Another fun fact.
I saw it as a bizarre S&M courtship that ends, in its last moments, with consummation. Teller's character is deeply horrible and his worst instincts are being nurtured and awoken by Simmons' teacher. I never got that he was supposed to be a good teacher. None of the characters are meant to be "good." It was basically…
But your a white Duke! They don't just give titles like that to poors!
Given his love of Jerry Lewis, I can't imagine Ignatiy having a problem with Tashlin. That style probably doesn't mesh well with this film.
You combine Shia LaBeouf and faces. I love both those things. So I guess I'll watch you.
Sometimes the Internet would prefer a straightforward punishment, even a beating, to your guilt trips. The Internet didn't ask to be invented by the Pentagon!
The SFRP vs. Team Zissou would be a hell of a thing.
Flash-forward two generations to when the babies have no choice but to start in-breeding.
I always knew Satan would take the form of Jimmy Fallon.
Putting all my money on Under the Skin at #1.
The thought process in these situations is usually, "I said something wrong, but people paid attention to me. If I correct myself, no one will pay attention to me. Double down it is then!"
Correction: What a weird, pointless first half of a list.
Delta Farce transcends all human notions of time.
"Scene-stealing" is implied and therefore an unnecessary adjective when applied to "Bill Paxton"
It's funny. I was actually going to write that "I haven't disliked an Assayas movie since Demonlover and Boarding Gate." The other dozen or so I've seen have been consistently great. He hops genres, but I think there's also a consistency of style.
He's already got ZEROVILLE shot and wrapped. Great literature has suffered at the hands of Franco.
It's been a long time since I've disliked an Assayas movie. There aren't many other directors as consistently good.