I remember people saying this at the time, that Tony didn't have to kill Blundetto because Johnny went to jail. I always thought that the only reason Tony killed him was to keep his crew's loyalty.
"Good bioli."      "Anytime, boss."

I always thought the Chris only saw a poor family and that was the basis for his decision. Not that they were a family and together, but that they were poor. 

I'm the biggest fan of diverging opinions and I love defending my favorite shows and movies to anyone willing to listen to me. I enjoy the debate and often I think of things differently or something I hadn't thought of is often brought up with the same people I disagree with. Good, thoughtful debate is always what I'm…

I know it's supposed mean the same thing, but in my experience most cinefiles hate more movies than they like/love. Cinefile is a synonym for snob. I enjoy good movies, bad movies, ridiculous and sublime movies. Now, I'm more than willing to acknowledge the flaws in those terrible movies, but when Cinefiles insist to…

Actually, I enjoyed both movies quite a bit (even if one of them did beat out Pulp Fiction for best picture) but i'm also a movie-lover not a cinefile.

"Button" really was Forest Gump, except the love interest wasn't a crack whore.

Didn't Eli bury the body by himself? I thought the Deputy only helped lift him into the car, but i could be wrong.

And considering that the trailers are full of empty calories, you're going to need all the vitamins you can get.

It's Oscar season, one of the academy screeners will end up online before the new year.

I wonder how this movie compares to something like State of Play, since that was an adaptation that was better served by the longer format.

If the CIA had sunken that low, it would certainly explain a lot.

(insert obvious Penn State joke)

RE: David Chase/Sepinwall interview— "he was fond of using these dream sequences to give Tony information he would already know but wouldn’t have put the pieces together on just yet"

Personally, I would have preferred actual justice to the poetic justice the show employed, but to each his own.
the Idle was saying by keeping the main character alive at the end of a show offers the chance at redemption and I was just attempting to contradict that point with a flimsy example.

"The beast in me is caged by frail and shallow bonds"

Did Vic Mackey have a shot a redemption?

They're not talking about "Luxury Lounge," they forgot Todd already covered "A Hit is a Hit."

Glad you covered this one, I also have fond memories of "The Stingiest Man in Town." Mostly because of my love for Walter Matthau considering my love/hate relationship with adaptations of A Christmas Carol.

Time can be vicious when you take it for granted

The problem with the Vito storyline didn't crop up until we followed him to Delaware or wherever, they should have just treated it like they did with Pussy in season one, one day he's just gone and life in New Jersey stops for a minute and then moves on.