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I loved Birdman, so you're not alone, Mr. Dent, not by a long shot.

And Warrior, too…he might not have been the lead, but he was wonderfully complicated as the little brother.

Whatever happened with Kalinda and that girl from the FBI? She just sort of disappeared.

AudioVisualsRUs?

She was super awesome in the first season of In Treatment, but here, she's channeling Marilyn Monroe in the worst way possible.

I think you mean Vajayjay.

Todd, thank you, as always. This is a great highlight/retrospective to one of the funniest sources of entertainment on the Internet. In a way, I'm glad HSR never went to TV, because I'm certain it would've gotten ruined in some way. It's perfect where it is — I do hope one day, we'll see a new Strong Bad email from

Thank you, Todd, for highlighting this wonderful series.  It's funny — this show came on when I was just starting high school, and I felt sort of guilty for liking it, because I was supposed to be, you know, older and somewhat more mature.  But now I no longer have to bear this guilt!  I loved this show because the

But wait…at the last cocktail party, they voted me "Coolest Cocktail Party Person to Be Around"?!?!?!  They weren't being ironic, were they?  Damn.

Make a movie about a fake movie actually saving people's lives, and you got a surefire Oscar bait on your hands.

Why this show is so good: that after Levi's voiceover of his second letter, we don't get Amy's reaction shot.

As much as I loved this episode (the strongest of the season by far), I do think there were some things that characters did out of character at the service of plot.  Such as…would Diane and Will really tell Alicia to splurge after their little invitation as equity partner, when they knew that she'd have to fork over

Don't forget, though, that it wasn't just Diane saying "suck it up" — she also pretty much said, "You don't play nice, and we're gonna rescind our offer."  That's as clear a threat as you can make.  So I think what Diane is feeling in that great silent closing scene is what ArrogantHipster has written eloquently above

Sorry to geek out on this episode, but switching hard drives alone wouldn't have really done the job of framing Omar.  The LAN card should've been swapped out, too, since the MAC address of the card is logged against the assigned IP address.  Otherwise, the IT guys would've seen that there wasn't a match between the

My favorite line from that story, which I still remember from years and years ago: "Man, what an optometrist."

Never been a fan of voiceovers in anything, but this show is truly the exception (as are Malick movies, of course).  It also helps tremendously that Dern is just incredible at emoting through her voice — notice how good she is whenever she's on the phone in the show.

This has been a phenomenal season of this underrated show.  No doubt the gratuitous/unnecessary T&A will not sit well with many viewers.  Unlike the other Starz vehicle Spartacus, which has even more T&A (not to mention violence), there's not a real need for the sex, but it seems like Chris Albrecht is hell bent on

This has been a phenomenal season of this underrated show.  No doubt the gratuitous/unnecessary T&A will not sit well with many viewers.  Unlike the other Starz vehicle Spartacus, which has even more T&A (not to mention violence), there's not a real need for the sex, but it seems like Chris Albrecht is hell bent on

The showrunners need to trust the showbiz part of the show more to derive the drama.  There's plenty in there, and everything else is really just a distraction.  If they spent more time in the actual creation of the musical — almost like the way a procedural show would do it — I think the show would be so much

Nice to see Ashur again — I missed the nasty bastard.  A very strong episode.  The dip into Doctore's past was nice to see, and the parallel between his origins to Tiberius's education was nicely done.  By the way, it's pretty much a given that Tiberius is Ashur's brother, isn't it?  Two guys from Syria?