avclub-01f2d6ac8b232e9e800919b15ddd0092--disqus
adrianmole
avclub-01f2d6ac8b232e9e800919b15ddd0092--disqus

There's quite a bit of twirling camera movements in The New World, and when I think of Malick's visual style I definitely group the last three (Thin Red Line, New World, Tree of Life) in one category, and the 70's stuff (Badlands, Days of Heaven) in another. Not to say that Badlands and DoH are operating under the

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Re: Lawrence, when I read that profile the quote seemed to be presented as a self-aware bit of sarcasm regarding her self-proclaimed "redneck"ness. Later on the writer talks about her problems with deploying sarcasm at weird moments, and this instance of her suddenly bagging on silent movies with some virulence seemed

Re: Lawrence, when I read that profile the quote seemed to be presented as a self-aware bit of sarcasm regarding her self-proclaimed "redneck"ness. Later on the writer talks about her problems with deploying sarcasm at weird moments, and this instance of her suddenly bagging on silent movies with some virulence seemed

The Sassing 

The Sassing 

Anyone here listen to the audiobooks? Some were narrated by Handler, but most were voiced by Tim Curry, and he was overall much more successful - - - Handler translated the forcibly dour and deadpan tone of the books to his narration, and they basically cancel each other out after about ten minutes of listening. Curry

Anyone here listen to the audiobooks? Some were narrated by Handler, but most were voiced by Tim Curry, and he was overall much more successful - - - Handler translated the forcibly dour and deadpan tone of the books to his narration, and they basically cancel each other out after about ten minutes of listening. Curry

Coulter has routinely been brought in to direct episodes 7 and 11 for each season now. His episodes definitely tend to be focused on characters spending time in a reflective mode before seeing them do something transgressive by the end (e.g. "Peg of Old"; Margaret visits family and we learn more about where she came

Coulter has routinely been brought in to direct episodes 7 and 11 for each season now. His episodes definitely tend to be focused on characters spending time in a reflective mode before seeing them do something transgressive by the end (e.g. "Peg of Old"; Margaret visits family and we learn more about where she came

That scene where she's teaching her "Social Etiquette and Poise" class and presenting them with a help-your-husband-advance-in-his-career-by-hosting-the-boss-for-dinner simulation makes up for a lot of that movie. "And then, SURPRISE: It's 6:15, and your husband's called to tell you that Smith, Jones, and their wives,

That scene where she's teaching her "Social Etiquette and Poise" class and presenting them with a help-your-husband-advance-in-his-career-by-hosting-the-boss-for-dinner simulation makes up for a lot of that movie. "And then, SURPRISE: It's 6:15, and your husband's called to tell you that Smith, Jones, and their wives,

I think it was Jodie Foster who played that role in the Polanski movie.

I think it was Jodie Foster who played that role in the Polanski movie.

"Birth", along with its ethereal opening tracking shot and lengthy held shot of Kidman at the opera, also manages to make 21st century Manhattan in the wintertime look like a world out of a Grimm fairytale, and this has a lot to do with Savides alternately warm and chilly grey photography. The movie is underrated, and

"Birth", along with its ethereal opening tracking shot and lengthy held shot of Kidman at the opera, also manages to make 21st century Manhattan in the wintertime look like a world out of a Grimm fairytale, and this has a lot to do with Savides alternately warm and chilly grey photography. The movie is underrated, and

Straight-up:

Straight-up:

"NM: I believed . . . there probably hadn’t been any incest. So, you fooled me.
TW: Yeah! [Laughs.] All right, good."