avclub-01edeb72ae20fe8bd93d126ec0fbaf91--disqus
falik lunj
avclub-01edeb72ae20fe8bd93d126ec0fbaf91--disqus

Yes, Outland can only be appreciated on a plane run by Aeroflot.

Did you see Pineapple Express? That was 'tongue-in-ass'.

A remake of a remake of a movie whose plot consisted of 'Quiet bloke waits for train with bad guys on it'.

Scanners had the best 'sploding head. I'm hoping that's how Michael Bay gets his!

Crank and SEU were both stupid.
I loved 'em!

Did you not know that the Magnificent Seven is a rip-off of the Seven Samurai by Akira Kurosawa (who wasn't above a spot of plagiarism himself) or are you just being obtuse?

Actually, its the car chase the wrong way up a one-way street motif that so regularly appears in his movies. The stuff falling off the back of the car/tank/eighteen-wheeler he robbed from another movie which my dumbed-down brain can't remember.

There are a number of hacks out there for sure but not even Simpson or Bay could elicit from me such howls of murderous rage like the ones Lucas and Spielberg wrung from me whilst watching the execrable Indiana Jones 4.

Wasn't it Logan's Run the film he filched the idea for The Island?

9/11 was Bay-lite.

To reply to the Greengrass cinematography posts: A fight scene does feel erratic and confused - when you're in it. But Greenass fumbles the cam from ten feet away which is definitely NOT where you are supposed to be in a fight situation. Also there's that scene in the cafe where he gets to talk to Pamela Landry. It