"So, there are samurai on hand. Are there other sections of the park we haven’t seen yet?"

On the other hand it gives us a rare (first at this scale?) moment of mutual and smart understanding between Rick's group and ennemies. For now?

I actually liked the death of Beth and Dawn, at least as a climax. But the real problem is that it turns Beth into a dick. She has no way to figure out that the situation won't escalate between the two sides afterwards; worst, given all what she witnessed she should think the exact opposite. And the way she leaves is…

*Ewok genocide*

Funny thing : when they made the first JP, they transformed a bit the raptors for the scenario (mainly they were smaller for the movie). Months later, scientists discovered a new species of raptor that matched almost perfectly with the one of Spielberg. So, you never know…

"(While season 4 was deeply flawed, much of what’s worked about season 5 started then, I think; the writers just needed to dig themselves out of the trap left by the previous three years.)"

Maybe because that's something else.

And considering we all would have bought a version were they both survive with the van landing upside down, that was really surprising. Something the director must have found unnecessary necessary.

My guess about Daryl nearly leaving Noah to die at the end is that he
mostly wanted Carol to strongly ask for saving him, given she told him earlier
she could just try to want to save people. When they first encountered
Noah and got free zombies from him, Daryl was the one who made sure
Carol did not shoot the guy,…

or any sense.

That's exactly what it said, and that's exactly what the reviewer totally ignored to mention. Good job, Josh !

Apart the review and how much it is really bad.

It's like they chose the only guy who doesn't get South Park at all to review South Park.

At one point I had some theory that the actor actually developped such a condition and is actually drived to believe the show is now depicting the happy life of a band of friends asking criminals to politely turn themselves in, with Lance sipping his cup of coffee with a proud and paternal expression.

You got me with Detective Lance. I can't imagine how big a heart attack the writers think he deserves. I've already made some sketches of his disfigured face. "Aaarr.. and what ? no way..aaarrgg..oh that too ? rgggnaaarh.. oh come on that can't be ….aarrrrhh…please, stop with the revelations !!!!!"

This should have been two episodes. Laurel can't deal with Roy being her sister's killer at this point. Therefore she litterally says she "can't deal with that now". Mmm… clever. It was moraly ridiculous and most of the lines sounded indeed retarded. A Roy-centric episode where Roy shows up sometimes. At least we…

Steven Moffat’s scripts so often veer between clever and “clever”.

I've always thought Tati somehow succeeded where Chaplin "failed" when voices/sounds entered the game. I mean — DON'T GET ME WRONG — Chaplin did great stuffs after the silent films era, but at first he did not understand the artistic meanings and possibilities, and Tati's filmography looks (and sounds) like an answer…

I can apply all what you just said to what said from the beginning. If cops don't do their jobs, you have the total right to complain about it, same with justice. I'm focused on what you publicly say, I'm not interrested in who you are and what you do (and it works both ways) and won't make you say stuffs you did not…

Well, the guy isn't perpetuating the rape culture, he is perpetuating the concept of justice. That's easy to point out things everyone will agree on, "we-have-to-be-kind-with-victims". But the whole concept of compassion has nothing to do with justice process. You don't know the case, you don't know these women, you…