Well, that’s horrific.
Well, that’s horrific.
If you don’t go so damn heavy on the sauce, the cheese will stick to the crust just fine.
For additional perspective, JEDI cost $33 million to make in 1983, so it basically paid for itself in its first weekend. And I’m not sure where this “slow start” idea is coming from either.
Why do you think you’re the one who won’t get it? Maybe we’re talking about someone else. :)
Would you prefer “If you can get on its wavelength”? Having seen the film, I think it’ll hit 90s kids more squarely than any other audience. As an 80s kid, I recognized a lot of what it’s putting out but maybe not all.
I have seen people who were told “maybe it’s not your thing” take that just as personally.
I want to know if it was dumping rain in that atrium on her second day.
The question of whether it would have been better for her to go “off-universe” for IT help seems rational, but at that price point I would probably find myself FOMOing about losing time in the experience. I’m thinking here about moviegoers who only complain about a presentation issue after the movie is over (and after…
Leon Gast directed WHEN WE WERE KINGS. Hackford was a producer (and editor).
MoviePass was a disaster from the POV of theatres as well. In my experience, MP customers, happy to attend on a free ticket, were much less likely to buy anything at the concessions stand, and that’s where we make our money.
Ah, but how many of us (besides Keith David) remember what the “six seasons and a movie” joke was about?
I think it’s illuminating that she recognizes that broad characterizations are her way of protecting herself. But I also feel that her performance on “The Good Place” was distractingly broad. She was lovely and understated in AWAY WE GO.
It makes me want to watch HUGO POOL.
“the all-time master of curmudgeonly ranting”?
Regarding whether Cohen was aware that he was being offensive or insensitive, the appeal of his entire body of work rests on the understanding that he knows EXACTLY what he’s doing, as a professional provocateur. And I feel he’s blurred the line between what he does and who he is far too often to say “I was just doing…
If we’re including electronica scores as “rock”, don’t leave out Chemical Brothers and HANNA.
It’s a great dance album is what it is. I think it fights the rhythm of the film.
I think I like Midnight Run best.
Came here for this specifically.
The comedy that made him famous is still funny. He’s the one who’s changed.