“Hayao Miyazaki’s The Boy and the Heron only took home to prizes,”

Confusing headline since the upcoming LOVE LIES BLEEDING isn’t a horror movie. Get your synergy right, kids

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My dad rowed crew and almost made alternate for the 1964 Olympic team. He can’t wait to see this.

What about The Boy In Blue?

I’m big on “Are those our only choices?”

Counterpoint: It’s bad.

“Works for me!”

Candice Bergen flubs a ventriloquist joke; history marches on.

Elliott Gould has been the most unlikely a lot of things.

My favorite thing about REAL LIFE is the way ‘Brooks’ becomes frustrated with how boring real life is and starts trying to insert drama into the proceedings. Also an accurate prediction.

Now how bout you guys straighten out the rights issues so we can watch the actual vids again?

Don’t hide your light, AVC. Some of us still remember AV Undercover:

Don’t forget this OTHER blistering Hendrix take on a Dylan classic:

I genuinely enjoy RED SHOE. The cast is insanely good, and Thomas Newman’s score is a lot of fun.

LET ME IN isn’t badly made, but it does discard practically everything that made the original special. Firstly, the whole question of Eli’s identity (“Nobody’s perfect,” am I right?), but also the decision to frame the early scenes from the point-of-view of a police detective instead of focusing on Oskar and his…

I’m a big animation fan and this is the first I’ve heard about the new series that came out three years ago. Way to manage that brand, WB.

Getting a Chris Farley Show vibe from that interviewer’s questions.

“Get ready to never look at Kiefer Sutherland the same ever again.”

Ageist!