I don’t know about any of the parties expressing a desire, but the last two paragraphs of this article observe that a revival sequel is something they’re now free to do. And we know it’s what today’s studios like to greenlight.
Ham
avcham
There’s a great storyline, which I can’t reference right now, where Jen loses a fight with a super-rival and has to admit she’s gotten complacent about being hulked out all the time. She goes back to being human and starts a fitness regime. When the rival comes back for a rematch, Jen’s hulk form is exponentially…
“Gabrielle awoke with a jerk.”
I’m pretty sure Rooker’s immune system would kill me before COVID did.
I have a hunch that if it does well at all and the theatres reopen, we’ll see a big-screen release of the 3D version come December.
Tell that to Carrie Fisher. Oh wait.
If they were proper Americans, I’m guessing they received a quiet correction, bristled at being corrected, and threw the first punch.
Styrofoam cup...
Here’s the thing about closing down the concessions stand and making sure that nobody’s eating or drinking, i.e., removing their masks:
She had one scene and was the one good thing in THE LAST WORD (2017).
“JUST Flockhart and Lucy Liu.”
A “Hellcats” shoutout! I may faint.
Deke’s best ‘80s callbacks:
Agent Yes I’m Your Boss Because “Ghostbusters” Taught Me Well
The idea is not to require that characters representing a certain identity only be portrayed by actors possessing that exact identity. That’s discriminatory itself. The hope is to equalize opportunity so that actors of color are considered for the same range of roles that white actors routinely ‘default’ into. And in…
And again, his point is disingenuous. In real life, absent a well-designed quota system, white actors get more opportunities (not just through playing other ethnicities but by taking roles that aren’t specified as a particular ethnicity and get cast white by default) and that’s what we need to change.
See also: the “we only cast a white actor because we didn’t have any black actors” excuse.
Shearer’s argument, that being a versatile performer qualifies him for roles that demonstrate that versatility, ignores the questions of opportunity and privilege. It’s not great to take an “all things being equal” stance when things are very much not equal.