This is a follow-up article. She talked about Heavenly Creatures in the 2010 interview, linked in the first paragraph of this article.

Broadcast presentation looked like 2.20:1 to me.

Brooklyn Nine Nine and Bless This Mess are excellent.

I love that Jacobs had her prop can of Pierce sperm at the ready. And at the same time there’s something very Britta about the fact that nobody else had the same idea.

I for one am confident that they can kiss and make up. Really, I feel it’s the best option.

I’m sure I’ll see you there.

You fast-forwarded past Katie McGrath’s trembling lower lip? You monster.

Fine, here’s the worst joke I’ve ever laughed at:

Kate Beaton with the last word:

Good acting?

Miller: “A younger filmmaker who has done very well called me before his first feature and said, ‘Any tips?’ I told him, ‘The day will come on the shoot when you think you’re completely crazy and what you’re doing makes no sense. Just keep going.’ When he finished that film, he told me, ‘Remember what you said?…

Still MYST.

Also, by 1938 Hollywood had definitely become “Hollywood,” and had been so for 20 years at least.

I remember renting this on VHS. Boy-Terry drives up in that white convertible, and me and my brother look at each other and we both say “Chick car.”

Tahani’s still there!

Tom’s terribly-lit greenscreen

“Chris is donating blood four times a week.”

Of -course- Ron’s login is ID BLOCKED.

Even this?

The effect was borrowed from Judgement at Nuremburg, in which the camera moves in on court interpreters and then switches to English “translation” from that point on. I do like how Red October sweetens it by having the transition hinge on the shared word “Armageddon.”