Larson’s early style also owed a great deal to the work of Gahan Wilson.
Larson’s early style also owed a great deal to the work of Gahan Wilson.
CAT FUD
What are his thoughts on refrigerator doors?
Which was which?
Guilty as charged. But it’s still the rare time I’ve seen people struggle openly with a supposedly popular fashion trend. Like, “Why am I wearing this? Doesn’t anyone make normal clothes anymore?”
I’ve always referred to WEDDING SINGER as the STAR TREK IV of Sandler movies.
Nothing says “late 90s” to me like the sight of a girl unconsciously tugging down on one of those waist-cropped belly shirts that clearly nobody actually enjoyed wearing with low-rise jeans.
I think it comes down to whether you want to watch a character who struggles with being who he is, or a character who enjoys being who he is.
Please tell me that phone was recording at the time
I’m on episode 4 and if there’s one thing that really bugs me it’s that the series has characters like SkekSil and Aughra speaking broken English when they shouldn’t be. That they did at all in the film is a holdover from the pre-release version where the non-Gelfling species spoke different constructed languages and…
Movie first, because the movie was first. Production order is almost always the best way to go— see Star Wars, Babylon 5, etc.
I’m told OCEAN’S TWELVE, but I still haven’t seen it.
Picardo’s T-shirt game has always been top-level:
ANY WHICH WAY YOU CAN.
Jump to 6:10:
Damn I miss that show, and Ferguson’s seemingly effortless chemistry with countless beautiful women.
I didn’t really expect THE WORLD OF HENRY ORIENT ro pop up here, but where’s HEAVENLY CREATURES?
The bit about beating up Clem at the ranch could be seen as foreshadowing some bad news for Cliff. In real life, Clem murdered Donald “Shorty” Shea, a stuntman who he thought was trying to get George Spahn to evict Mansons’ group.
I felt really unfairly teased by the recurring mentions of Moriarty. Even if Dormer had only appeared as a snapshot on a wall it would have been something.
Re: the filmmakers not representing what Manson was “really” about. That’s one of the smartest things they did— avoid giving him a platform and just let him be some dirty hippie nobody thinks twice on.