The eyepatch was Nicholas Meyer’s idea, as a reflection of Moshe Dayan. But it was Plummer’s choice to do without the wig that had been prepared for the character, and his instruction to the makeup artists to let one of those eyepatch bolts wobble, so that he could literally have a screw loose.

“He’s out to rule the world, if he can get a government grant!”

“...Presaging today’s effect-heavy blockbusters, much of the film was cobbled together with blue-screen effects and compositing.”

James Horner’s big-band score is the goods.

The hair masks in the already funny Pizza Driver scene cracked me up repeatedly.

Also, Tahani’s scarf in the IHOP, which represents a dangerous parasite and therefore a dangerous scarf

Which, as we discussed last week, is super disappointing since there was an unaired subplot from Season 2's “The Big One” in which Liv and Evan reconciled and now that’s been overwritten.

Is this the least creepy photo you could find?

Totino’s all the way here.

I see Dick Tracy.

Um, nobody else remembers Xena and Gabrielle? Sure, they both had straight relationships but by series end they were definitely together.

Wow. That’s going on my schedule pronto.

The white seaplane Indy takes out of SF is here too, at the Oakland Aviation Museum.

I’m not saying that the only reason I traveled to New Zealand in 2000 was to see where they stored the costumes and props from “Xena: Warrior Princess” before they got auctioned off, but I’m not -not- saying it either.

I am pissed off as well.

This just reminds me that I never did watch that lesbian reboot of Electrawoman and Dynagirl.

She was a riot in CROSSING DELANCEY.

For that matter, we also don’t see much of Sasha’s journey to Celebrity Chef beyond the bit of her as a kid, arranging her rice and Spam. I feel like there were some scenes cut for pacing.

There was a collective giggle in my theatre when “Rep. Dan Tanner” showed up.

Her arc involves Marcus showing her that her childhood wasn’t all bad.