asolochek
Aaron
asolochek
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The omission of ‘Leave’ invalidates the whole list.

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“I am Superman” - the song that started my journey.

Once again, “Leave” never gets the credit it so rightly deserves.

“Man On The Moon” should be taken down a number of positions, and in place of it should go “Harborcoat” and “Try Not To Breathe”.  Sorry, I’m not taking questions at this time.

I know making a list like this is impossible but good lord  any list without either Harborcoat or Pretty Persuasion is a list not worth making.

Shiny Happy People deserves recognition. Mainly for Kate Pierson reasons.

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Stand appears to be the performative omission here, but I’d also argue this deserves a high placing (particularly this bonkers performance).

Now if only they’d release Daria with the restored soundtracks

When it’s Henry Kissinger.

Nandi has gone too far.

A guy like Sam, whose dad knows about Dubai air and environmental degradation —- he would have at least 7 relatives telling him this “billionaire” does not have a football team and not to trust him. Like letting verisimilitude slide is one thing, but making west Africans look ignorant about something they have

Seasons 3 and 4 were some of the best TV I’ve ever seen.  Time for a rewatch

I approve of this message.

Halt and Catch Fire’s final season.

It’s a great show in general, but as far as I know, The Expanse has never even been nominated in a technical category. That is difficult to wrap one’s head around.

The Hoff for either Baywatch, Baywatch Nights or Knight Rider.

Hard agree on Keri Russell and Sandra Oh. For the latter, I think her time is coming soon, considering how much more things she’s been doing after leaving Grey’s. I also really admire her skill in navigating the acting world and it’s awesome that she has that rock solid credibility to really choose what she wants to

The Expanse never being nominated for a single Emmy is a fucking travesty. 

Honestly the Emmys have overlooked so many people and shows I don’t know where to start. Community, Parks and Rec, Jason Alexander never got one, Phil Hartman never did, genre shows are routinely neglected, like they’re somehow more consistently off the mark than the Oscars which is impressive.

Carrie Coon for The Leftovers is probably the one that bothers me the most.