I can tell you which one I've listened to about 1,000 times over my life from the time I was a little kid, and was one of the first albums I exposed my own kids to, who also loved it and played it hundred more times, and it's not Pet Sounds.

"We're on a mission from God."

That's a good reading. I agree. Like all great stories, I guess I just didn't want it to end.

Season One was pure excellence in story-telling and character development, with fantastic use of the "unreliable narrator" trope, time displacement and "Rashomon effect."

This sounds like an episode of UnREAL; sadly, it is not.

In the first draft, this was called "The Driving Bell and the Butterfly," in which Lightning is horribly disfigured in a violent crash and must learn to communicate only by blinking his headlights, which is particularly difficult, because he has stickers for headlights.

That final scene is everything why Rhea Seehorn is among the greatest actresses working today. Her studied determination while rehearsing her pitch, giving way to this slow descent into a sad dark place that has been neglected for far too long, and the sudden shock back to reality after the blackout and crash was…

Plus, the accident is the direct result of Red humiliating and freaking out Horne, who is wigged out on these "designer drugs," as if to say that all these tragedies- from Denny Craig not getting up from his desk, to Becky and Steven pissing their futures away- are the direct result of this new scourge, which I'm…

Dougie-Cooper's painfully slow recovery is the equivalent of the elderly bank manager shuffling back and forth in the vault for several minutes during the Twin Peaks season 2 finale, while millions of viewers tore out there hair wondering what the hell was going on with Cooper in the Black Lodge. Yes, Lynch-Frost are…

Very well put. It's incredible how these scenes play out on every conceivable level.

Well said. It was a tough episode, alright, but one that strongly and brilliantly portrays the senseless loss of our sons and daughters to war, poverty and drugs- a reoccurring theme in Lynch's work. Where the lost boy in Vegas conjures up foreign war zones and economic ruin, the brutal traffic tragedy strikes at…

I couldn't agree more. Now, where is the petition for getting another 18-24 hours next year?

Was anyone else also incredibly moved when Kimmy chose to take the cardboard trolley head-on? I was surprised at how much that got me- was not expecting such a moment at all. Kimmy rules!

That bunch sure could use some cheering up.

And Kimmy will have to keep her sanity,
with the help of her robot friends!
ROBOT ROLL CALL!

Good catch!

Maybe it will be Diane who fully wakes Cooper up, but they have to find him first.

"We drive cheap, terrible cars. We are the 99%-ers. And we are shit on enough!" and
"We are living in a dark, dark age, and you are part of the problem!"

The numbers could refer to different locations- but, when the socket says 15 above it, Cooper is forcefully repelled and can't get anywhere close to it, whereas, after it says 3, he is able to squish his way into it.

Right, sorry, I missed your comment above that this is the "New" Fat Trout Trailer Park. Still nearby, but oddly relocated.