=)

One of the really brilliant things about that movie, aside from the incredible performances and cinematography, is that it feels like there's a definitive "solution" hidden somewhere amongst all the symbolism; it really feels like you could piece together the answer for what was actually happening.

I don't think two viewings will be enough, but I'm in love with the film. My interpretation of what's really going on shifts each time I see it. I'm not even sure Lynch himself knows what "the truth" of the movie is.

Willow Ufgood, a non-adventurous Elwin, risked his life to save a strange Daikini baby. He did it partially to save his family and friends from attacks by those looking for the baby, but mostly he did it to protect the baby from his own people. In their fear, they wanted to get rid of her because she wasn't one of…

Thanks for including Elektra, Charlie Jane. I have so much love for that character, and her return (primarily what they made her into) was a bitter disappointment.

"You don't hire Jimmy Stewart to play Hercules."

Without the prison of the Village, there is no Number 6. As a character, he doesn't even have a name, just a number. I'm probably one of the only people alive who loved the re-imagining of "The Prisoner" with Jim Caviezel, too.

Oh, hell, one look at Muppet-Angel, and now I can't get that song out of my head.

It felt like it fit to me, though I was sort of watching it as the mirror image of Rick's journey. Both reached a point where leadership and loss of family turned them into uglier versions of themselves.

I was thinking the same thing about the budget constraints. Unfortunately, the financial realities would completely prevent the Mass Effect series I'd most want to watch:

Absolutely! My favorite video store memory was from Scarecrow Video in Seattle. It's pretty much an "obscure movie" store/rental place that's been in Seattle for as long as I can remember, and I stumbled across a copy of "Captain Kronos - Vampire Hunter" there, a British cult flick from 1974. To this day, it remains…

I don't know a great deal about epidemiology, but the stated standard procedure of "tossing infected items and personnel out of the plane into whatever happens to be below" seemed more than a little sketchy to me, too.

I admire the idea behind these, but I think they'd be much more enjoyable to watch online (or in person) if they were just doing acting flashmobs of real scenes from popular movies/shows. Sort of a Brandon Hardesty thing, but out in public locations.

I'm not sure the handprint was Lizzie's (I think Rick would've considered Lizzie a possible suspect had it been hers), but I do think Lizzie killed the sick people. She had just failed to kill her father after he turned and she still had Carol's "You're weak" comment in her head. Killing two people who were sick like…

Yes, he said around 7500. It was enough that I kept thinking, "How did they not smell that?" That's a lot of rotting bodies shambling around! While I'm sure the smell of decomposing flesh is pretty much everywhere at this point, the sheer concentration of bodies there had to be staggeringly potent, especially in that…

They made a point of focusing on the man in the cell next to Karen (I think that was her name), showing him snoring loudly. It seemed to be a pretty clear nod to the audience, saying "This is why no one's waking up. They're used to hearing this sound."

I'm open to any timeline. There are really only three requirements I have for Star Trek series:

The biggest missed opportunity, as far as I'm concerned. A number of critics say that the show's greatest strength was the fact that it wasn't on long enough to stink. It may be true that eventually the writing quality would've faded, but I really would've appreciated it if they'd been given the chance.

Exactly right.

I was a big fan of the original cast, but I think I almost enjoyed the newer cast more, making it all that much harder to watch it end.