Archer having childlike glee towards something will never not be hilarious and awesome. Ocelots. Weightlessness. It's my favorite version of the character.
Archer having childlike glee towards something will never not be hilarious and awesome. Ocelots. Weightlessness. It's my favorite version of the character.
Super excited for 70-year old Streisand to sing to her 10 year old daughters about how their father left, and then the man she married after him also left. Oh well, she'll be almost within 15-years age appropriate by Rose's Turn.
Mmm-hmm. And Tom Wopat. It's from the 1999 Broadway Revival.
Isn't Muppet or a Man like the only nomination/inevitable win that everyone is happy about? I'm advocating a 3 hour salute to the song instead of the usual ceremony.
I applaud you for your Boal reference. Well done.
They covered up the singing, though, by having it seem like they were practicing for their callback, what with the ladies listening on headphones and stuff during their trip, so the only thing not "really" happening was the underscoring at the beginning.
This isn't super surprising. Former Simpsons Co-Showrunner Bill Oakley works for Portlandia in some capacity, not sure what.
I highly recommend Let Me Down Easy to anyone who can catch it. I saw the play Off-Broadway and ADS is a fascinating performer with a really interesting piece of material, a bit of a departure from her previous pieces surrounding specific events. And it's really cool to watch her do all the characters!
That game show cutaway was really awkward. It was like the show was suddenly 30 Rock. Has there ever been that kind of a cutaway on the show before?
I always get unironically excited for the Kennedy Center Honors broadcast, if only because I love seeing all these different cultural areas being given equal weight. I love that they include a Broadway diva and a jazz great and a movie star and each of them gets 20 minutes of fawning by the audience, whether the…
I would have thought they flipped Krupke and Cool, but Mike auditioned for Riff with Cool, so that leads me to believe they didn't.
I very much hope that the next arc involves legislative action by the Bernstein estate because
Props to whoever wrote the alt-text for a level 3 obscure musical reference (did you know it starred John Lithgow and the soon-to-be-on-Smash Brian d'Arcy James? And a score by Marvin Hamlisch!), but I'm docking you some points because it's Sweet Smell of Success, no "The."
Person with homicidal tendencies has just got to be Abed screwing with everyone, right?
You could see them covering for that with the shutting down of Rachel
trying to sing I Feel Pretty. What we've got left (not counting
dance/fight numbers or the quintet which seems out because they refuse to acknowledge there are more than 4 roles, blah blah blah rant about Rachel not being a Soprano):
Since whoever took over for Will in April's musical won a Tony I guess that means in Glee's world Norbert Leo Butz only has one. This is UNACCEPTABLE.
I think the fact that the meal was still in perfect condition was the joke. That's how loaded with preservatives the food is, it lasts decades in space.
"You're mad captain! That's enough out of me!"
Katey Sagal gave a really fantastic voice performance this episode. She doesn't always get a ton of kudos for her performance, but she played lots of different levels in this ep and sold them all really well, especially when she had to turn on a dime.
It should be pointed out
The song "Boy Falls From the Sky" is not the opening number in the show, in fact it is one of the last, but because this is a stupid album based on a stupid show, they have taken all the songs out of order and had Bono and the Edge sing on a lot of them for no good reason (yes, selling more…
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Kudos. Looks like everything is very usable and personal, which is just the way I like my internets.