So, what, like DS9? :P
There are a ton of ‘true’ fans that would willingly watch a slice of life show about off duty Stormtroopers, so I wouldn’t exactly say the true fans would have the only complaints.
So, what, like DS9? :P
There are a ton of ‘true’ fans that would willingly watch a slice of life show about off duty Stormtroopers, so I wouldn’t exactly say the true fans would have the only complaints.
My one request is that if this is a show set in an era when the Jedi are essentially wiped out...that they not be afraid to give us a Star Wars without Jedi.
I should reiterate, this was a discussion me and my brother had after watching Life, so it’s not exclusive to the Alien franchise. There’s a general problem with putting supposed experts in dangerous situations and still wanting things to become dangerously life threatening in under two hours.
The original Alien…
Because Warner Bros. offered them a big pile of money and they’re not developing it in-house, just licensing their map/AR tech to WB’s team.
He said this when he made Prometheus, too.
And then flip-flopped for Covenant.
You know what this franchise doesn’t need? More Ridley Scott prequels. The least scary thing you can do in a horror movie is tell the intimate life story of the monster before it started eating everyone in the original movie. The question…
It’s that conundrum of putting smart people in dangerous situations but still needing something to go wrong for the movie to be interesting. (After all, no one goes to see a movie where everything works right and there’s no crisis).
Honestly, I was surprised the final after credits stinger wasn’t Loki bargaining for his life with “...Something I know you’re searching for.” as he presents the Tesseract. I guess they’re saving that scene for the actual movie, though.
Why would run an entire article about how Pixar added eyes to their skeletons but Photoshop the eyes out of every character in the photos?
That Godziller says he’s a big’ol radiactive dinasaur but really he’s just another hunk.
I read the headline and clicked it expecting the Shi’ar.
I like pulp-y titles like ‘[NAME] and the [MYSTERIOUS THING OR DANGEROUS PLACE]’. I guess that works better, though, if you know you’re filming multiple episodes and if your lead character isn’t already linked to Indiana Jones...
That actually bothers me, too. It’s short sighted.
I felt the same way about the NES Classic and it was an overwhelming success. “Most NES games are archaic or unplayably hard. And Nintendo has sold us these games a dozen times over. Why would anyone pay $50 for them?”
Whoa, no reason to bring name calling into this. It’s a goofy, niche argument. Obviously you’re not into it. You don’t have to be.
It’s based on the very first sentence of the article!
Warning, incoming Comic Sans rant:
No trailer deserves the Comic Sans treatment.
It’s not entirely without reason you’d move from one coast to the other. Heading towards the CDC might be one reason to try it, I guess. Or getting towards Washington. More or less the same reason Rick’s group went anywhere, just a longer distance.
It’s just so boring. Walking Dead is by no means a critical masterpiece but it’s like they cloned that show then took out all the components I actually care about.
I don’t think the revision was ever intended to get people to double dip, just streamline it and incentivize new buyers. They can’t (or at least don’t want) to do any hardware revisions that will make new games incompatible with the old model or split the tiny market.
“What if the lady ghostbusters find out the ‘Zuul’ message is actually a reoccuring radio signal from a distant pulsar and have to consult MIB to...”