This is the biggest selling point for me too!

Or maybe it was that he couldn’t stomach watching the other films, he just couldn’t.

I got that feeling too! What many have described as a saccharine plot and storytelling is palatable to me just because of what you describe. There’s no way I could’ve played this game otherwise.

It doesn’t matter. All anyone cared about was the theme song!

There’s literally a character named Wolf too.

“If this is the planet that birthed the greatest hero of all time, what made it so special?” Welsh asked. “Part of it must be baked in Superman’s DNA.”

Surely you meant Infinite Hawkeye for Infinity.

Does he stay the same size during the course of each game though, excepting the effects of power-ups?

Surely you meant typocasting?

Shades of “Seductionof the Innocent” by Fredric Wertham and the hysteria that caused. This is just something whatever newest medium/form of expression has to go through, especially in the US.

Stop brutalising those ghost kids.

I was really hoping it’d be Yolo.

I thought Ryu was ace.

You can do it. Also, try figuring out the balance that works for you between talking about writing and not. Some lose impetus if they talk plot, others need to talk about the trials of working to overcome isolation.

Yay Broken Earth!

Not just here, everywhere! It’s one of this best things I’ve played this year, and ties with Guacamelee for best “recent” Metroidvanias for me but it’s getting so little coverage.

That’s a question you should ask yourself, Activision.

I also thought the starting point of her emotional arc was established very economically.

There’s no plot but there’s a sense of a lived in world. The draw of the multiplayer is in the high you get from beating strong monsters through cooperation, and a sense of camaraderie (provided you’re not bumping into one of THOSE players). There’s a lot of charm and silliness that goes into the worldbuilding that’s…

I think the list of people who watched Rescue Rangers and weren’t attracted to Gadget is very short.