Hey, now, don’t leave kickers out of it.

Are Gleeson and Impacciatore going to slap on American accents? Because while, sure, a native Irish person and an Italian person could definitely work at a small, dying Midwestern newspaper... they’re working at a small, dying Midwestern newspaper.

Last week, when Ann (Mindy Cohn) woke from her coma,

My only guess is that people thought it would be a White Lotus/Feud-The Swans type of mash-up.

The photo says “Right, fine, there’s some sort of galactic explosion happening but, fuck it, I’m Superman. I’ll save the day. I always do.”

Just watched it and... I liked it. It’s stupid funny, has some decent dumb jokes and great cameos.

Is the term “haters” as inane and misused as “woke”?

She’s finally mumbling a few words but I’m about to bail on the series so not sure how much more she gets to talk.

Look, this is stupid all around, but at least be consistent:

“Why can’t you just die already?”

Aidy Bryant should have been higher and Kyle Mooney can replace Fallon.

His “stiffness”, which I take as intentional, is part of what makes him hilarious to me. I swear that he gies me something to laugh at even in the deadest of sketches.

It’s trying to do so many things and ends up doing nothing. If it has stuck with the “social climber will do anything to climb socially” that would have been fine and could have been interesting. But all this murder/socialite party/money problems/pro-choice group stuff is confusing as hell.

Beyond their many talents, the casting also suggests an interestingly international bent to this new Office...

There’s also no opportunity to make a “Rock Lobster” joke here;

LOL. That’s true, but I never said he ordered an alcoholic drink. He hangs out at the Mar-a-Lago bar all the time driving OTHER people to drink.

A rapist, racist, misogynist, white nationalist, wanna-be dictator, check-bouncer, traitor, and mocker of the disabled and military veterans walk into a bar.

Well, there’s always the Libertarians, Rob...

I think even in “morality plays” the main “good guy” is always conflicted. That what creates his story arc. He has to be tempted, has to have a few “quirks” and doubts, otherwise, his final realization/redemption would have little to no effect. If he was good all the way through and did the right things without…

I get what you’re saying about Potter, and I’m sure it might be handled that way today. But I think at that time, Hollywood scripts pretty much always had clear-cut good and bad guys. Sure, there were tough wisecracking detectives not afraid to pop someone in the mouth but Wonderful Life is a morality play so I think…